Engelska

<p>One to One is the first book on the work of Andreas Martin-Löf Arkitekter. Encompassing twenty selected design projects that range from buildings and interiors to furniture and objects, this monograph is interlaced with a series of essays that give an insight into Martin-Löf's working process and provide context for the resulting productions. The book includes an introduction by design critic Hugo Macdonald, who has followed the firms development closely over the last decade. One to One is available with two different printed belly bands, each featuring images of architectural projects by Andreas Martin-Löf Arkitekter. </p>

The Paintings for the Temple is Hilma af Klint s most significant series and consists of 193 works among them the iconic The Ten Largest. The paintings, that according to af Klint, were an assignment from the spirit world, were created outside of the group The Five, together with Anna Cassel and Augusta Gusten Andersson, among others. The series can be understood as af Klint s quest for a fundamental oneness. A oneness that existed when the world was created, but which was then lost, giving way to a world of dualities: good and evil, woman and man, matter and spirit. The different series attempt to unite these opposites, and at the same time they reveal af Klint s many influences from the era she lived through.

Hjalmar Stolpe is one of Sweden's best-known archaeologists and explorers. In the late 19th century he sailed around the world on the steamboat Vanadis. Portugal, Brazil, Chile, Thailand, India and Egypt are some of the places he visited on his 18-month journey. Also on the trip was the 22-year-old photographer Oscar Ekholm.  The expedition, one of the first of its kind ever to be documented using photography, brought home a unique collection that includes thousands of photographs. Bo G Erikson is a science journalist and honorary doctor at Uppsala University. This material has never been published before.

<p>I början av 1960-talet skapade Ulla Wiggen en svit målningar föreställande elektroniska komponenter och datorer. Hon utforskade denna motivvärld då knappast någon kunde förutse hur den digitala teknologin skulle revolutionera våra dagliga liv. Kort därefter, 1966 deltog hon i föreställningarna <i>9 Evenings: Theatre &amp; Engineering</i> i New York då hon assisterade Öyvind Fahlström, vars radikala konstsyn varit av stor betydelse för henne. 1969 började hon måla människor och gjorde därefter också en serie porträtt. Hon utbildade sig även till legitimerad psykoterapeut som sedan blev hennes huvudsakliga yrke fram till 2013 då hon efter en utställning med hennes tidigare verk på Moderna Museet, beslöt att återuppta sitt konstnärsskap efter ca. 30 års uppehåll. Sedan dess har hennes fokus på datorernas inre och människans yttre flyttats till insidan av människokroppen och alltmer kommit att inriktas mot hjärnan och ögats iris.</p><p>In the early 1960s Ulla Wiggen created a suite of paintings depicting electronic components and computers. She explored this world when hardly anyone could predict how digital technology would revolutionize our daily lives. Shortly afterwards, in 1966, she participated in the performances 9 Evenings: Theatre &amp; Engineering in New York assisting Öyvind Fahlström, whose radical view of art was of great importance to her. In 1969 she started painting humans and then made a series of portraits. She also became a licensed psychotherapist, which became her primary vocation until 2013 when she after an exhibition with her previous paintings at the Moderna Museet decided to resumed her artistry after 30 years break. Since then, her focus on the computer's interior and the human exterior has shifted to the inside of the human body and increasingly focused on the brain and iris of the eye. </p>

<p>Sara-Vide Ericson arbetar med ett måleri som bottnar i personliga och kroppsliga erfarenheter. Minnet av platsen, ögonblicket och den nedärvda historien överförs genom konstnärens process i en kamp med och mot materialen till en koncentrerad ny verklighet. Sara-Vide Ericson förekommer ofta själv i sina målningar men ser det inte som självporträtt utan snarare som att hon spelar olika roller och lånar sin kropp till målningarna. </p><p>Den nya boken, den mest heltäckande publikationen hittills, innehåller ett urval av Sara-Vide Ericsons arbeten från 2013 fram till idag, samt texter av Sara Arrhenius, chef för Institut suédois i Paris, Daniel Birnbaum, chef för Acute Art i London och konstkritiker och Sinziana Ravini, författare och psykoanalytiker baserad i Paris. Publicerad i samarbete med Galleri Magnus Karlsson, Stockholm, i samband med Sara-Vide Ericsons omfattande utställning Desire of the Tail på Institut suédois i Paris (17 oktober 2023 18 februari 2024). </p><p>Sara-Vide Ericson s paintings are rooted in personal and bodily experiences. Memories of places, moments and inherited experiences are, through the artist s work process and the characteristics of the material, transformed into a concentrated new reality. Sara-Vide Ericson often depicts herself in her work but doesn t think of them as self-portraits, rather as if she plays different roles and lends her body to the paintings.<br/><br/>The new book, the most comprehensive publication to date, includes a selection of Sara-Vide Ericson s oeuvre dating from 2013 to the present, with texts by writer and curator Sara Arrhenius, director of Institut suédois in Paris, writer and curator Daniel Birnbaum, director Acute Art in London and Paris based writer, critic, and psychoanalyst Sinziana Ravini. Published in collaboration with Galleri Magnus Karlsson, Stockholm, in conjunction with Sara-Vide Ericson s major exhibition Desire of the Tail at Institut suédois in Paris (17 October 2023 18 February 2024). </p>