2021

En bättre musikalisk tidsmaskin till det svenska 60-talet än Swedish Pop & Beat 1963-1969 är nog inte lätt att finna... På denna samling medverkar totalt 40 av de mest betydelsefulla banden/artisterna inom svensk 60-talspop. <br/><br/>Sverige började under 60-talet visa att man var en musiknation att räkna med. De svenska artisterna turnerade inte bara hemmavid utan även internationellt (t.o.m. bort till Mexiko). Man lyckades etablera en hygglig spridning av sina skivor i nästan samtliga världsdelar!<br/>Artister som senare uppnådde ännu större berömmelse utvecklade under 60-talet sina musikaliska talanger, som exempelvis Björn Skifs, Tommy Körberg, Lasse Holm, Ola Håkansson, Janne Schaffer och samtliga ABBA-medlemmar (med sina separata karriärer). <br/><br/>Genom albumet Swedish Pop & Beat 1963-1969 får vi 40 gyllene exempel på hur det svenska popundret började ta form!

COLLECTORS TOUR EDITION<br/>Contains 4 bonus tracks AND also includes foldout poster.

Absolute Music vol 90 [2 CD]

ABBA ARE BACK!<br/><br/>Agnetha, Björn, Benny and Anni-Frid return with:<br/><br/>ABBA VOYAGE<br/> <br/>A revolutionary concert, 40 years in the making, <br/>and a brand new studio album Voyage<br/><br/>Thursday 2nd September - ABBA, one of the most successful pop groups of all time, have today announced that, for the first time in 40 years they are back, with a revolutionary new concert that will see Agnetha, Björn, Benny and Anni-Frid performing digitally with a live 10-piece band, in a purpose-built arena in London from 27th May 2022, and a brand new studio album.<br/><br/>The digital versions of ABBA have been created following weeks and months of motion-capture and performance techniques with the four band members and an 850-strong team from Industrial Light & Magic, the company founded by George Lucas, in what is the company's first foray into music.<br/><br/>Now, an incredible 40 years since their last studio album The Visitors, ABBA have not only recorded two new songs, 'I Still Have Faith In You' and 'Don't Shut Me Down', that will both feature in the concert, but they have recorded and produced an entire new album. Recorded together at Benny's studio Riksmixningsverket in Stockholm, Voyage will be released worldwide on 5th November on Universal Music Group.<br/><br/>ABBA Voyage will open 27th May 2022 at the ABBA Arena, a state-of-the-art 3,000 capacity arena located at Queen Elizabeth Olympic Park in London. Pre-registration for tickets opens at 6pm tonight on abbavoyage.com with tickets on general sale from Tuesday 7th September, see below for more detail.<br/><br/>The ABBA Voyage concert is made with the help of: Producer Svana Gisla (David Bowie Blackstar/Lazarus, Beyoncé and Jay Z for HBO, Springsteen and I), Producer Ludvig Andersson (And Then We Danced, Yung Lean - "In My Head", Mamma Mia! Here We Go Again), Director Baillie Walsh (Flashbacks of a Fool, Being James Bond, Springsteen and I), Co-Executive Producer Johan Renck (Spaceman, David Bowie Blackstar/Lazarus, Chernobyl) and Choreographer Wayne McGregor CBE (The Royal Ballet, Company Wayne McGregor, Paris Opera Ballet).<br/><br/>Svana Gisla, Producer, and Ludvig Andersson, Producer:<br/>"The magic of ABBA and the herculean efforts of this whole magnificent team reaches a long awaited milestone today. To be able to finally share this endeavour with the world is a proud moment for us and we can't wait to welcome you to our arena in East London, a place where we are so happy to be."<br/><br/>Baillie Walsh, Director:<br/>"I watched ABBA win the Eurovision song contest in 1974, and never did I imagine that 47 years later I would be with them on this extraordinary voyage. Life is weird and wonderful sometimes."<br/><br/>Wayne McGregor, Choreographer: "Imagine: growing up in the North of England in the 70's and learning to ballroom, Latin and disco dance to the incredible songs of ABBA. I was 8 and I was totally transported. Fast forward to 2020, being in Sweden and dancing with ABBA - in real life! I was about to be 50 and I was totally transported again. That is the magic of ABBA. <br/>We have shared many creative and joyful adventures with a bold collaborative team to make the impossible possible for ABBA Voyage: technological wizardry, state of the art immersion and entertainment innovation. And still at its searing heart we simply have new songs, new moves, classic songs, classic moves: ABBA is DANCE and always will be. See you on the dancefloor".<br/><br/>Sir Lucian Grainge, Chairman & CEO, Universal Music Group:<br/>"From the very beginning of my career, and having had the privilege to work with them directly for many years since, it's been a tremendous joy to be surrounded by ABBA and their music. Their boundless creativity and timeless melodies makes us want to partner with them on everything they do because we know it will be simply great."<br/><br/>The music video for 'I Still Have Faith In You' has been directed by Shynola.

Melodifestivalen 2021 [2 CD]

Lana Del Reys sjunde album har fått den något ironiska titeln "Chemtrails Over The Country Club". Lana Del Rey har sedan sitt genombrott med "Video Games" 2012 levererat ett pärlband av hits, bland dem "Summertime Sadness" och "West Coast".<br/><br/>Lana Del Rey har alltid haft en förkärlek för klassiska Hollywood och dess glamour och levererat videor som flörtar med den eran och den romantiska föreställningen om livet i Kalifornien. Detta balanseras dock alltid med en god dos ironi, och det är just detta som gjort Lana Del Rey så<br/>populär i så många kretsar. Detta, och självklart också hennes kapacitet att år efter år leverera hits.

Justin Townes Earle left this world a little over a mile from where he came in, having seen more of it than most folks in his thirty-eight years before his all too short arc brought him right back to where he started from; Nashville, Tennessee. <br/><br/>The evening Justin was born, in what was then called Baptist Hospital, his mother, Carol, exhausted after 36 hours in labor fell immediately into a deep sleep and I was left staring into the eyes of my first-born son. After a while, a kindly nurse asked if I would like to carry him to the nursery myself. I don't know how I ever negotiated the walk down the hall without tripping over my own two feet. I couldn't take my eyes off him and he looked right back at me, hardly blinking, as if to say, "I know you." After a bit of a gentle tug-of-war at the nursery door I reluctantly relinquished custody to the nurse. <br/><br/>My arms had never felt so empty. <br/><br/>Suddenly it occurred to me that I hadn't spoken to any of my family back in Texas since I'd phoned early the day before to let them know that Carol was in labor and we were headed for the hospital. <br/><br/>I beelined for the payphones in the waiting room and was relieved to find a quarter in my pocket (not a given at that point in my career). I dropped it in the slot and dialed my parents' number in Houston. My Dad answered and immediately upon hearing his voice, I burst into tears and apologized for every shitty thing I'd ever said or done to him, which was a litany. <br/><br/>Carol and I split up when Justin was 3 and he shuttled between our households, sometimes voluntarily sometimes not, until he left home. That event occurred pretty organically when he accompanied me on a teaching sabbatical to the Old Town School of Folk Music in Chicago. <br/><br/>Justin was playing by that time, having gone from post-mortem Nirvana fan to acoustic blues practitioner by way of Kurt Cobain's WHERE DID YOU SLEEP LAST NIGHT. He'd only been interested in electric guitar until seeing Cobain hunched over the big Martin acoustic on MTV Unplugged so I pointed him towards the original recorded version in my record collection. Leadbelly was next to Lightnin' Hopkins and Lightnin' next to Mance Lipscomb and next thing I knew he was playing stuff I'd been trying to sort out for years. The original idea of Justin going to Chicago (besides just keeping an eye on him) was that he would take a few classes at the Old Town School, but within a few weeks he was TEACHING fingerstyle guitar. By the time I completed my eight-week course and returned home Justin had turned 18 and elected to remain behind. <br/><br/>He was back in Nashville six months later and, musically, things began to develop rapidly. A jug band, a rock band, a short stint as a Duke, but, lo and behold he'd begun to come up with songs of his own and they were really fucking good. He would release 8 full length albums and an EP over 13 years during which our paths crossed infrequently, usually on the road. Ironically, we both sat out the last summer of his life in Tennessee, grounded by pandemic, unable to escape to the only place either one of us ever felt at home. The Highway. <br/><br/>We spoke often those last few months, saw each other a handful of times and I talked to him the night he died. I am grateful for that. This record is called J.T. because he was never called anything else until he was nearly grown. Well, when he was little, I called him Cowboy. For better or worse, right or wrong, I loved Justin Townes Earle more than anything else on this earth. That being said, I made this record, like every other record I've ever made... for me. It was the only way I knew to say goodbye. <br/><br/>See you when I get there, Cowboy,<br/>Dad