2013

Digipack.<br/><br/>The most requested live show in Grateful Dead history. The "Sunshine Daydream" concert film has been unreleased for 41 years and features a previously unseen version of 'Bird Song'. The film captures the band at the height of their powers (fresh off the Europe '72 tour) and at the epicenter of the counterculture movement. Regarded as the very last "Acid Test". 8/27/72 was the hottest day on record to date in Oregon. The film documents a now infamous lack of water at the concert site and provides a context for the "clothing optional" vibe of the day!<br/> <br/>Content: <br/>Previously unreleased "Sunshine Daydream" concert film featuring gloriously remastered picture and all new stereo and 5.1 audio mixes done by Jeffrey Norman at TRI Studios in San Rafael, Calif. and mastered by Grammy® winning engineer David Glasser at Air Show Mastering in Boulder, Colo.<br/><br/>Entire 8/27/72 concert mixed and mastered to HDCD from the original 16 track tapes by Jeffrey Norman.<br/><br/>Producer's note by David Lemieux " Brand new double-sided cover art by Steve Vance.<br/><br/>4-panel digipak featuring original tie-dye by Courtenay Pollock.

CD+DVD

Denna klassiska liveplatta från 2012 är inspelad i Argentina och vi bjuds på ett inspirerat Dream Theater som levererar med råge! Bandet framför hela 26 låtar live och på denna 3CD+DVD bjuds vi också på en dokumentär, inspelningar från turnévardagen och annat smått och gott. Speltiden klockar här in på tre timmar och femton minuter.

Kristofferson Kris: Live from Austin Texas 1981 [CD + DVD]

The self-titled set is the artist's first visual album. BEYONCÉ is infused with 14 new songs and 17 visually stunning, provocative videos shot around the world from Houston to New York City to Paris, and Sydney to Rio de Janeiro, all before the album's release. <br/><br/>"I see music," says Beyoncé about her decision to create a visual album. "It's more than just what I hear. When I'm connected to something, I immediately see a visual or a series of images that are tied to a feeling or an emotion, a memory from my childhood, thoughts about life, my dreams or my fantasies. And they're all connected to the music."<br/><br/>Facebook exclusively premieres Part One of "Self-Titled," a mini doc feature that gives a glimpse into the entire project. It details her mind-set and artistic vision throughout the making of BEYONCÉ. By embracing an ever-evolving digital landscape, she creates an innovative, fully immersive, multiplatform experience for the first visual album of her career, completely changing the way her fans will consume music.<br/><br/>Not one to stand on past achievements, this is an artist who thrives on evolving, challenging herself and raising the bar. This creative process gave Beyoncé power over her music and provided an opportunity to control how the music is heard. She is not playing by the rules and breaking what is expected, preferring to put music out as an entire body of work.<br/><br/>Beyoncé, wearing multiple hats as writer, producer and director, put together a genius team of artists, songwriters, producers and video directors for her visual album that include JAY Z, Timbaland, Justin Timberlake, Pharrell Williams, Drake, The Dream, Sia, Ryan Tedder, Miguel, Frank Ocean, Hit Boy, Ammo, Boots, Detail, Jake Nava, Hype Williams, Terry Richardson, Melina Matsoukas, Jonas Åkerlund, Ricky Saiz, Pierre Debusschere, @lilinternet, Noah "40" Shebib, Francesco Carrozzini, Caroline Polachek, Ed Burke, Bill Kirstein and Todd Tourso. <br/><br/>She recorded all over the world for a year and a half but the initial recording started after the writers and producers gathered under one roof in The Hamptons, New York's beach enclave, in the summer of 2012 to live together, work together and to immerse themselves into her world and into her head. The fans that have grown up with the performer, mature and seasoned enough to relate to the content and the shared experiences, inspire the music, with themes that explore love, loss, fear, anger, honesty, happiness, sexuality and confidence. <br/><br/>For the videos, some of which she co-directed, she preferred to work with a more care-free formula. Shot primarily during her successful "Mrs. Carter Show World Tour," the videos were veiled in secrecy, even though they were filmed in open places, including a beach in Brazil, the streets of NYC, on the famed Cyclone Rollercoaster in Coney Island, New York, downtown Los Angeles, a chateau in Paris, a roller skating rink in Houston, Texas where she skated as a child, and a beautiful church in South America. She mixed up the creative, going for big and small and set out on shoots eager to capture the spontaneity and honesty in every moment. The videos are visually stimulating, charged with visionary cinematography and clever storytelling. They capture every side of who she is, complete with vulnerability and imperfections.<br/><br/>BEYONCÉ is an explosive sonic and visual communiqué to music fans from an artist who has earned the right to do things on her terms. "I just want to give my album to the people I love and respect and hope that they feel the same thing I felt when I made the music," said Beyoncé.

Black Cilla: Very best of... 1963-76 (Rem) [CD + DVD]

Med albumet "White Sugar", "Diamonds & Dirt" och "Almost Always Never" bakom sig är gitarresset/sångerskan Joanne Shaw Taylor framme vid live-utgåvan "Songs From The Road" - serien som består av både en CD och en DVD.