Engelska

<p><b>"Confessions is a remarkable debut. A complex and compulsive read that unravels the intricate twists and revelations among three generations of women with elegance and urgency." --Miranda Cowley Heller, author of The Paper Palace<br/></b></p><p><b>For fans of <i>The Goldfinch</i> and <i>Tomorrow, and Tomorrow, and Tomorrow</i>,</b><b> </b><b>an ambitious and absorbing debut that follows three generations of women from New York to rural Ireland and back again.</b></p><p><br/>New York City, late September 2001. The walls of the city are papered over with photos of the missing. Cora Brady's father is there, the poster she made taped to columns and bridges. When a letter arrives from an aunt she didn't know existed in Ireland with the offer of a new life, the name jogs a memory: an old videocassette game Cora used to play as a child where two sisters must save the students of a mysterious boarding school. County Donegal, 1974. An eclectic group of artists known as the Screamers arrives in Burtonport and moves into the old schoolhouse down the road from where Róisín lives with her older sister Máire. Alternately kind and cruel, brilliant artist Máire is a mystery to Róisín, as is Máire's relationship with the boy next door, Michael. When the Screamers look to hire an artist in residence, Róisín enlists Michael's help to get Máire the job, setting in motion a chain of events that will put an ocean between the sisters and threaten to tear them apart forever. Burtonport, 2018. Lyca Brady lives in a sprawling old house with her mother, Cora, and great aunt, Ro. Abortion has just been legalized in Ireland, and Lyca is struggling to find herself outside her mother's activism. An unexpected message from a childhood friend sends Lyca searching her house's mysterious attic, with its strange collection of old medical equipment, piles of paperwork, and dusty boxes of ancient video games. There, she unearths secrets hidden for decades--secrets perhaps better left unknown. Catherine Airey's haunting debut spins a mesmerizing story of family and fate, survival and revelation, examining the irresistible gravity of the past--how it endures through generations, pervasively present even when buried or forgotten.</p>

<p><b><i>Romeo & Juliet </i>meets <i>The Vegetarian</i> in this record-breaking South Korean sensation of a novella</b><br/><br/><i>How should I proceed after I wrap up this story. What should I do. I could go to the police station and confess. I could find a priest and confess. I ate a person. Is that a sin?</i><br/><br/>This story begins with death. When Dam finds the body of her soulmate, Gu, bruised and battered on the street by a gang of government debt collectors, she is paralysed with grief. As she cradles his corpse in her defeated arms, Dam begins to tell it a story.<br/><br/>In a fragmented sequence of monologues and meditations, this unexpected novella slowly builds into a panoramic portrait of two like souls who have passed a lifetime in utter devotion to one another. It's a story that snakes between past and present where, as she narrates, Dam is committing one final act to the tale of their undying love.<br/><br/>Dam is slowly eating Gu, whose body she has lovingly washed, embalmed and elected to preserve in her own - where he will rest - for all eternity. At once romantic and horrific, HUNGER is an instant classic of philosophical fiction that cuts to the very heart of existence, love, loss, and how ferociously we rage - tooth and nail - against our own mortality.</p>

Good Girl [Bok / Inbunden]

<p> <strong>A publishing event ten years in the making<em>-</em>a searing, exquisite new novel by the best-selling and award-winning author of <em>Americanah</em> and <em>We Should All Be Feminists-</em>the story of four women and their loves, longings, and desires.</strong> </p> <p>Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until - betrayed and brokenhearted - she must turn to the person she thought she needed least. Omelogor, Chiamaka's bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka's housekeeper, is proudly raising her daughter in America - but faces an unthinkable hardship that threatens all she has worked to achieve.</p> <p>In <em>Dream Count</em>, Adichie trains her fierce eye on these women in a sparkling, transcendent novel that takes up the very nature of love itself. Is true happiness ever attainable or is it just a fleeting state? And how honest must we be with ourselves in order to love, and to be loved? A trenchant reflection on the choices we make and those made for us, on daughters and mothers, on our interconnected world, <em>Dream Count</em> pulses with emotional urgency and poignant, unflinching observations on the human heart, in language that soars with beauty and power. It confirms Adichie's status as one of the most exciting and dynamic writers on the literary landscape.</p>

We Do Not Part [Bok / Inbunden]

The sudden, devastating breakup of a relationship in the winter of 2021 left Catherine Lacey depressed and adrift. She began cataloguing the wreckage of her life and the beauty of her friendships, a process that led to the writing of fiction that was both entirely imagined and strangely, utterly true. She soon realised that she was writing about her relationship with faith. Betrayed by the mercurial partner she had trusted and suddenly catapulted into the unknown, Lacey's appetite vanished completely, a visceral reminder of the teenage emaciation that followed the ending of her belief in God. Bending form, both she and her fictional characters recall gnostic experiences with animals, close encounters with male anger, grief-driven lust and the redemptive power of platonic love and narrative itself. A hybrid work that is both non-fiction and fiction with no beginning and no ending, The Moebius Book troubles the line between memory and imagination with an openhearted defence of faith's inherent danger.

<p>The world has been ravaged by a lethal virus and, with few exceptions, only the young have survived. Cities have been destroyed, and the natural world has reclaimed the landscape in surprising ways, with herds of wild camels roaming the American West and crocodiles that glow neon green lurking in the rivers.<br/><br/>Against this perilous backdrop, Will Collins, the de facto caretaker of a Buddhist monastery in Colorado, receives an urgent and mysterious request: to deliver a potential cure to a scientist in what was once California. So Will sets out, haunted by dreams of the woman he once loved, in a rusted-out pickup pulled by two mules. A menacing thug is on his tail. Armed militias patrol the roads. And the only way he'll make it is with the help of a clever raven, an opinionated cat and a tough teenage girl who has learned to survive on her own.<br/><br/>A highly original contribution to the canon of dystopian literature, <i>The Way</i> is a thrilling and imaginative novel, full of warmth, wisdom and surprises that reflect our world in unsettling, uncanny and even hopeful ways.</p>