Engelska

<p>At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this &quot;brilliant and gut-churning masterpiece&quot; (Library Journal, starred review) by the internationally bestselling author of The Licanius Trilogy, James Islington. The Catenan Republic&mdash;the Hierarchy&mdash;may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilized society in allowing my strength, my drive, and my focus&mdash;what they call Will&mdash;to be leeched away and added to the power of those above me, as millions already do. As all must eventually do. I tell them that I belong, and they believe me. But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart. And that I will never, ever cede my Will to the empire that executed my family. To survive though, I will still have to rise through the Academy&apos;s ranks. I will have to smile, and make friends, and pretend to be one of them, and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me. And if the Hierarchy finds out who I truly am, they will kill me.</p>

<p>Aside from the fact that they are brothers, Peter and Ivan Koubek seem to have little in common. Peter is a Dublin lawyer in his thirties - successful, competent and apparently unassailable. But in the wake of their father&apos;s death, he&apos;s medicating himself to sleep and struggling to manage his relationships with two very different women - his enduring first love Sylvia, and Naomi, a college student for whom life is one long joke. Ivan is a twenty-two-year-old competitive chess player. He has always seen himself as socially awkward, a loner, the antithesis of his glib elder brother. Now, in the early weeks of his bereavement, Ivan meets Margaret, an older woman emerging from her own turbulent past, and their lives become rapidly and intensely intertwined. For two grieving brothers and the people they love, this is a new interlude - a period of desire, despair and possibility - a chance to find out how much one life might hold inside itself without breaking.</p>

Parade [Bok / Pocket]

On Freedom [Bok / Pocket]

<b>From the author of the Bargainer series comes the prequel to <i>Bewitched</i>. Before Selene Bowers, there was Roxilana. The Empress. This is her and Memnon's origin story: of blood, bonds, and betrayal.</b>

<p><b>SHORTLISTED FOR THE BOOKER PRIZE 2024<br/><br/>An exhilarating tale of twisted desire, histories and homes, and the unexpected shape of revenge - for readers of Patricia Highsmith, Sarah Waters and Ian McEwan's <i>Atonement</i>.</b><br/><br/>It is fifteen years after the Second World War, and Isabel has built herself a solitary life of discipline and strict routine in her late mother's country home, with not a fork or a word out of place. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep - as a guest, there to stay for the season...<br/><br/>In the sweltering heat of summer, Isabel's desperate need for control reaches boiling point. What happens between the two women leads to a revelation which threatens to unravel all she has ever known.<br/><br/><b>'A thrilling, razor-sharp, perfectly plotted debut novel'</b> <i>Sunday Times</i><br/><br/><b>'Moving, unnerving and deeply sexy'</b> Tracy Chevalier, bestselling author of <i>GIRL WITH A PEARL EARRING</i><br/><br/><b>'A brave and thrilling debut about facing up to the truth of history, and to one's own desires... Van der Wouden brings stunning power and control to her page-turner about trauma and repression'</b> Justine Jordan, Booker Prize Judge 2024</p>

<p><b>From one of the most iconic actors in the history of film, an astonishingly revelatory account of a creative life in full</b><br/><br/>To the wider world, Al Pacino exploded onto the scene like a supernova. He landed his first leading role, in <i>The Panic in Needle Park</i>, in 1971, and by 1975, he had starred in four movies-<i>The Godfather</i> and <i>The Godfather Part II</i>, <i>Serpico</i>, and <i>Dog Day Afternoon</i>-that were not just successes but landmarks in the history of film. Those performances became legendary and changed his life forever. Not since Marlon Brando and James Dean in the late 1950s had an actor landed in the culture with such force.<br/><br/>But Pacino was in his mid thirties by then, and had already lived several lives. A fixture of avant-garde theater in New York, he had led a bohemian existence, working odd jobs to support his craft. He was raised by a fiercely loving but mentally unwell mother and her parents after his father left them when he was young, but in a real sense he was raised by the streets of the South Bronx, and by the troop of buccaneering young friends he ran with, whose spirits never left him. After a teacher recognized his acting promise and pushed him toward New York's fabled High School of Performing Arts, the die was cast. In good times and bad, in poverty and in wealth and in poverty again, through pain and joy, acting was his lifeline, its community his tribe.<br/><br/><i>Sonny Boy</i> is the memoir of a man who has nothing left to fear and nothing left to hide. All the great roles, the essential collaborations, and the important relationships are given their full due, as is the vexed marriage between creativity and commerce at the highest levels. The book's golden thread, however, is the spirit of love and purpose. Love can fail you, and you can be defeated in your ambitions-the same lights that shine bright can also dim. But Al Pacino was lucky enough to fall deeply in love with a craft before he had the foggiest idea of any of its earthly rewards, and he never fell out of love. That has made all the difference.<br/><br/>_________________________________________________________________________<br/><br/><b>Praise for Al Pacino:</b><br/><br/>'Al Pacino is magical' <b>Martin Scorsese</b><br/><br/>'A legend' <b>Francis Ford Coppola</b><br/><br/>'So unique and special' <b>Robert De Niro</b><br/><br/>'A singular, special talent, whose work stands the test of time' <b>Robin Williams</b><br/><br/>'A wicked sense of humour' <b>Oliver Stone</b><br/><br/>'Charming, hilarious, a nonstop talker. There is an aspect of him that is like a lost orphan, like this kind of crazy idiot savant' <b>Diane Keaton</b><br/><br/>'As Michael in The Godfather, Pacino was everything I wanted that character to be on screen. I couldn't believe it. It was, in my eyes, a perfect performance, a work of art' <b>Mario Puzo, author of <i>The Godfather </i></b><br/><br/>'Comedic, talented, and certifiably insane' <b>Johnny Depp</b><br/><br/>'Al is money, the man in charge, making it happen. I got to act with Al Pacino and it was worth more to me than anything' <b>Samuel L Jackson</b><br/><br/>'A marvellous actor and man' <b>Sean Connery</b><br/><br/>'The depth of Al Pacino's artistry is only more overwhelmed by the generosity of his spirit and his warmth. Al Pacino is Van Gogh. Modigliani' <b>Andy Garcia</b><br/><br/>'The greatest actor in the world' <b>Jamie Foxx</b></p>