Engelska

<p><b>From the No. 1 international bestselling author, film producer and Wattpad platform icon Anna Todd - the continuation of her bestselling love story AFTER in Volume Two of After: The Graphic Novel.</b><br/><br/><b>Fall in love all over again in volume two of the graphic novel adaptation of the global phenomenon AFTER! Uncover </b><b>Tessa and Hardin's love story as you've never seen it before . . .</b><br/><br/><b>There was the time before Tessa met Hardin, and then there's everything AFTER . . .</b><br/><br/>As good girl Tessa Young embarks on her first year of college at Washington Central University, she has direction, ambition and a new circle of friends who are always trying to push her beyond her comfort zone. Chief among them is fellow student, campus bad boy - and son of the University's Chancellor - Hardin Scott, who has simultaneously enraged and seduced her. Tessa can hardly abide Hardin's antics and ex-girlfriends yet, despite their differences, Tessa and Hardin are undeniably, passionately drawn to one other, and willing to risk a bumpy ride for a romance that will consume and change them both.<br/><br/><b>Anna Todd's original story comes to life with breathtaking illustrations by Pablo Andres. Featuring twelve pages of behind-the-scenes and character profile bonus content, Volume Two of After: The Graphic Novel is the ultimate collector's item for fans everywhere!</b></p>

<p>Los Angeles. August 4, 1962. The city broils through a mid-summer heat wave. Marilyn Monroe ODs. A B-movie starlet is kidnapped. The overhyped LAPD overreacts. Chief Bill Parker&apos;s looking for some getback. The Monroe deal looks like a moneymaker. He calls in Freddy Otash. The freewheeling Freddy O. Tainted ex-cop, defrocked private eye, dope fiend, and freelance extortionist. A man who lives by the maxim &quot;Opportunity is Love.&quot; Freddy gets to work. He dimly perceives Marilyn Monroe&apos;s death and the kidnapped starlet to be a poisonous riddle that only he has the guts and the brains to untangle. We are with him as he tears through all those who block his path to the truth. We are with him as he penetrates the faux-sunshine of Jack and Bobby Kennedy and the shuck of Camelot. We are with him as he falters, and grasps for love beyond opportunity. We are with him as he tracks Marilyn Monroe&apos;s horrific last charade through a nightmare L.A. that he served to create - and as he confronts his complicity and his own raging madness. It&apos;s the Summer of &apos;62, baby. Freddy O.&apos;s got a hot date with history. The savage Sixties are ready to pop. The Rolling Stones proclaim it best: We&apos;re just a shout away. The Enchanters is a transcendent work of American popular fiction. It is James Ellroy at his most crazed, brilliant, provocative, profanely hilarious, and stop-your-heart tender. It is a luminous psychological drama. It is an unparalleled thrill ride. It is resoundingly the great American crime novel.</p>

<p><b>'Shelley Read's lyrical voice is a force of nature. Tragic, uplifting and completely unforgettable' </b>BONNIE GARMUS, author of <i>LESSONS IN CHEMISTRY</i><br/><br/><b>'A lush, beautiful, strong book. It took me on such a transformative life journey. I could not put it down' </b>CLOVER STROUD<br/><b>____________________<br/><i>I've come to understand how the exceptional lurks beneath the ordinary like the deep and mysterious world beneath the sea</i></b><br/><br/>On a cool autumn morning, Torie Nash heads into her village pulling a rickety wagon filled with late-season peaches. As she nears an intersection, a mysterious drifter with grimy thumbs and smudged cheeks and eyes as dark as a raven's wing stops to ask her the way.<br/><br/>She could turn left or cross over. But she does not. Her heart skips a beat as he whispers, 'Go as a river.'<br/><br/>So begins a mezmerising story that unfolds over a tumultuous lifetime as Torie begins to absorb and follow his words.<br/><br/>Soon, she will gather all the pieces of her small and extraordinary life, spin through the eddies of desire, heartbreak and betrayal, and arrive at a single rocky decision that will change her life for ever.<br/><br/><b>Completely spellbinding, vivid, and luminous' </b>JANE GREEN<br/><br/><b>'<i>Go As a River </i>delivers so very much: the tenderness and curiosity of young love, the eternal pangs of loss, the brutality of racism, the sustaining power of nature and the miracle of a mother's love. Suffused with wisdom and compassion, this shattering testimony to life must be savored, treasured, shared' </b>MEG WAITE CLAYTON, author of <i>The Postmistress of Paris</i></p>

After- The Graphic Novel (volume One) [Bok / Häftad]

<p>The first short story collection in ten years from the Man Booker Prize-winning, New York Times-bestselling author of Lincoln in the Bardo 'The only way to experience Saunders s oblique, farcical, tragic world is to dive right in. It will take the top of your head off, but it s worth it The Times </p><p>MacArthur genius and Booker Prize-winner George Saunders returns with a collection of short stories that make sense of our increasingly troubled world, his first since the New York Times bestseller and National Book Award finalist Tenth of December The 'best short story writer in English' (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose - wickedly funny, unsentimental, and perfectly tuned - Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality. 'Love Letter' is a tender missive from grandfather to grandson, in the midst of a dystopian political situation in the not-too-distant future, that reminds us of our obligations to our ideals, ourselves, and each other. </p><p>'Ghoul' is set in a Hell-themed section of an underground amusement park in Colorado, and follows the exploits of a lonely, morally complex character named Brian, who comes to question everything he takes for granted about his 'reality.' In 'Mother s Day', two women who loved the same man come to an existential reckoning in the middle of a hailstorm. And in 'Elliott Spencer', our eighty-nine-year-old protagonist finds himself brainwashed - his memory 'scraped' - a victim of a scheme in which poor, vulnerable people are reprogrammed and deployed as political protesters. Together, these nine subversive, profound, and essential stories coalesce into a case for viewing the world with the same generosity and clear-eyed attention as Saunders does, even in the most absurd of circumstances.</p>

<p>Jamie Fraser and Claire Randall were torn apart by the Jacobite Rising in 1746, and it took them twenty years to find each other again. Now the American Revolution threatens to do the same. It is 1779 and Claire and Jamie are at last reunited with their daughter, Brianna, her husband, Roger, and their children on Fraser&apos;s Ridge. Having the family together is a dream the Frasers had thought impossible. Yet even in the North Carolina backcountry, the effects of war are being felt. Tensions in the Colonies are great and local feelings run hot enough to boil Hell&apos;s teakettle. Jamie knows loyalties among his tenants are split and it won&apos;t be long until the war is on his doorstep. Brianna and Roger have their own worry: that the dangers that provoked their escape from the twentieth century might catch up to them. Sometimes they question whether risking the perils of the 1700s-among them disease, starvation, and an impending war-was indeed the safer choice for their family. Not so far away, young William Ransom is still coming to terms with the discovery of his true father&apos;s identity-and thus his own-and Lord John Grey has reconciliations to make, and dangers to meet . . . on his son&apos;s behalf, and his own. Meanwhile, the Revolutionary War creeps ever closer to Fraser&apos;s Ridge. And with the family finally together, Jamie and Claire have more at stake than ever before.</p>

The third book of the Sandman collection is a series of four short comic book stories. In each of these otherwise unrelated stories, Morpheus serves only as a minor character. Here we meet the mother of Morpheus s son, find out what cats dream about, and discover the true origin behind Shakespeare s A Midsummer s Night Dream. The latter won a World Fantasy Award for best short story, the first time a comic book was given that honor. Collects THE SANDMAN #17-20.