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<p>A powerful new anthology of feminist voices throughout history and from around the world</p><p></p><p>The Penguin Book of Feminist Writing selects writing from across time and throughout the world, creating a treasure-trove of the most important feminist thought alongside surprising and delightful fiction, poetry and diaries, celebrating the multiplicity of feminist voices that have emerged over the centuries. </p><p>Beginning in the fifteenth century with Christine de Pizan, who imagined a City of Ladies that would serve as a refuge from the harassment of men, this book goes beyond the usual white, western story. The writers in this anthology ask questions about class, capitalism and colonialism, and other axes of oppression that intersect with sexism. Inside, we find writers like Elizabeth Cady Stanton, who declared in 1848 the self-evident truth 'that all men and women are created equal', alongside Sojourner Truth, born into slavery in New York, who asked in 1851 'and ain't I a woman?' </p><p>Put together by a world-leading historian of ideas and a feminist, The Penguin Book of Feminist Writing is both a history of thought - readers will find incisive and provocative selections from Mary Wollstonecraft, Virginia Woolf, Susan Sontag, Audre Lorde and over one hundred other pioneering thinkers - and a voyage of discovery, highlighting lesser-anthologised thinkers, like Juana Ines de la Cruz's seventeenth-century philosophical satire of 'misguided men', or the "poet of Palestine" Fadwa Tuqan's mountainous journeys towards self-knowledge and revolution. The product of many years of research and reading, The Penguin Book of Feminist Writing is both a deeply considered introduction to feminist thought and an abundance of riches to read and keep throughout a lifetime.</p>

<p>Microdoses of the straight dope, stories so true they had to be wrapped in fiction for our own protection, from the best-selling author of But What if We&apos;re Wrong? A man flying first class discovers a puma in the lavatory. A new coach of a small-town Oklahoma high school football team installs an offense comprised of only one, very special, play. A man explains to the police why he told the employee of his local bodega that his colleague looked like the lead singer of Depeche Mode, a statement that may or may not have led in some way to a violent crime. A college professor discusses with his friend his difficulties with the new generation of students. An obscure power pop band wrestles with its new-found fame when its song &quot;Blizzard of Summer&quot; becomes an anthem for white supremacists. A couple considers getting a medical procedure that will transfer the pain of childbirth from the woman to her husband. A woman interviews a hit man about killing her husband but is shocked by the method he proposes. A man is recruited to join a secret government research team investigating why coin flips are no longer exactly 50/50. A man sees a whale struck by lightning, and knows that everything about his life has to change. A lawyer grapples with the unintended side effects of a veterinarian&apos;s rabies vaccination. Fair warning: Raised in Captivity does not slot into a smooth preexisting groove. If Saul Steinberg and Italo Calvino had adopted a child from a Romanian orphanage and raised him on Gary Larsen and Thomas Bernhard, he would still be nothing like Chuck Klosterman. They might be good company, though. Funny, wise and weird in equal measure, Raised in Captivity bids fair to be one of the most original and exciting story collections in recent memory, a fever graph of our deepest unvoiced hopes, fears and preoccupations. Ceaselessly inventive, hostile to corniness in all its forms, and mean only to the things that really deserve it, it marks a cosmic leap forward for one of our most consistently interesting writers.</p>

<p>Written with all the scathing dark humor that is a hallmark of BoJack Horseman, Raphael Bob-Waksberg&apos;s stories will make you laugh, weep, and shiver in uncomfortably delicious recognition. In &quot;A Most Blessed and Auspicious Occasion,&quot; a young couple engaged to be married is forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding. &quot;Missed Connection-m4w&quot; is the tragicomic tale of a pair of lonely commuters eternally failing to make that longed-for contact. And in &quot;More of the You That You Already Are,&quot; a struggling employee at a theme park of dead presidents finds that love can&apos;t be genetically modified. Equally at home with the surreal and the painfully relatable (and both at once), Bob-Waksberg delivers a killer combination of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.</p>

Acclaimed writer Charles Bukowski turns his signature eye on the world of felines. A series of essays and poems all about cats, Bukowski s classic funny and frank tone becomes, at times, even endearing as he explores and honors the majestic creatures and our relationship with them. BustleFelines touched a vulnerable spot in the unfathomable soul of Charles Bukowski, the Dirty Old Man of American letters. For the writer, there was something elemental about these inscrutable creatures, whose searing gaze could penetrate deep into our beings. Bukowski considered cats to be forces of nature, elusive emissaries of beauty and love. Funny and moving, On Cats offers Bukowski s musings on these beloved animals and their toughness and resiliency. Poignant and free of treacle, On Cats is an illuminating portrait of this one-of-a-kind artist and his unique view of the world, witnessed through his relationship with the animals he considered among his most profound teachers.

<p>Gail Sheehy on Hillary Clinton. Ingrid Sischy on Nicole Kidman. Jacqueline Woodson on Lena Waithe. Leslie Bennetts on Michelle Obama. And two Maureens (Orth and Dowd) on two Tinas (Turner and Fey). Vanity Fair&apos;s Women on Women features a selection of the best profiles, essays, and columns on female subjects written by female contributors to the magazine over the past thirty-five years. From the viewpoint of the female gaze come penetrating profiles on everyone from Gloria Steinem to Princess Diana to Whoopi Goldberg to essays on workplace sexual harassment (by Bethany McLean) to a post-#MeToo reassessment of the Clinton scandal (by Monica Lewinsky). Many of these pieces constitute the first draft of a larger cultural narrative. They tell a singular story about female icons and identity over the last four decades-and about the magazine as it has evolved under the editorial direction of Tina Brown, Graydon Carter, and now Radhika Jones, who has written a compelling introduction. When Vanity Fair&apos;s inaugural editor, Frank Crowninshield, took the helm of the magazine in 1914, his mission statement declared, &quot;We hereby announce ourselves as determined and bigoted feminists.&quot; Under Jones&apos;s leadership, Vanity Fair continues the publication&apos;s proud tradition of highlighting women&apos;s voices-and all the many ways they define our culture.</p>