Parlophone

Ulf Lundells 15 utsålda konserter på Tyrol i Stockholm är en av de verkligt klassiska konserthändelserna i hans snart 50 åriga karriär. Albumet "Live på Tyrol" släpps nu för första gången som trippel CD.

LIMITED FIRST EDITION RELEASE<br/>In an effort to reduce waste, the first edition run of Moon Music (both EcoRecord rPET LP and EcoCD) will be strictly limited and produced at a higher specification than any future editions. All First Edition EcoRecord rPET LP products will be individually numbered.<br/><br/>NEW FORMATS AND NEW SUSTAINABILITY STANDARDS<br/>In tandem with Coldplay's ground-breaking sustainability measures on their current tour - which has so far produced 59% less CO2e emissions than their previous stadium tour - the band have gone to great lengths to make the physical release of Moon Music as sustainable as possible. This will be the world's first album released as a 140g EcoRecord rPET LP, with each copy containing nine recycled PET-plastic bottles recovered from post-consumer waste. This will prevent the manufacture of more than 25 metric tonnes of virgin plastic, and provide an 85% reduction in manufacturing process CO2 emissions/kg compared to traditional 140g vinyl.<br/><br/>Additionally, the band have collaborated with long-time partners The Ocean Cleanup to create an additional format: the Notebook Edition EcoRecord rPET LP. The rPET for this edition comprises 70% river plastic, intercepted by The Ocean Cleanup from the Rio Las Vacas, Guatemala, and prevented from reaching the Gulf of Honduras and the Atlantic Ocean. The CD editions of Moon Music will be the world's first to be released on EcoCD, created from 90% recycled polycarbonate, sourced from post-consumer waste streams. This will provide at least a 78% CO2/kg emission reduction, and avoid the manufacture of more than five metric tonnes of virgin plastic.

30 years ago, Roxette released their fifth album "Crash! Boom! Bang!", including a stream of hit singles like "Sleeping In My Car", the title track, "Fireworks", "Run To You" and "Vulnerable".<br/> <br/>The album would sell more than five million copies and was followed by their second World Tour, which saw them perform for over a million people, including the second performance ever by an international act in China.<br/> <br/>We're celebrating this classic album's 30-year anniversary with a 18-track CD version that also includes a bonus CD with 23 demo recordings of songs considered for the album.<br/> <br/>- Roxette were among the three most played artists on American radio during 1989, 1990 and 1991, and we were on top of the charts all over the world. So, it's no wonder we felt pretty confident when it was time to record the new album, Per Gessle says.<br/> <br/>- Having had that kind of success made us feel that we had a perfect opportunity to stretch out into new directions. To show slightly different sides of what Roxette could be. And I still think "Crash! Boom! Bang" is our best album.

Sällskapsjuk är inspelat i Halmstad och som titeln signalerar, består albumet till största delen av duetter med en rad starkt lysande sångare.

Den här veckan är det 30 år sedan Lisa Ekdahls självbetitlade debutalbum släpptes. Det firas med att för första gången pressa plattan på vinyl! <br/><br/>När den gavs ut 1994 gick marknaden över till CD och vinylformatet övergavs. <br/>Albumet blev hursomhelst en omedelbar succé och lade grunden för Lisas fortsatta karriär. Med låtar som "Vem vet", "Benen i kors" och "Öppna upp ditt fönster" toppade albumdebuten listorna i Sverige och Norge och passerade nyligen gränsen för 6 x platina i Danmark. Med sin jazziga vispop skrev Lisa Ekdahl in sig i historieböckerna om den svenska popmusiken.

180 gram vinyl.

REMASTERING THE BEATLES' ORIGINAL STUDIO ALBUMS FOR VINYL <br/><br/>180 gram.<br/>There has always been demand for The Beatles' albums on vinyl. Indeed, 2011's best-selling vinyl LP in the United States was Abbey Road. Following the success of The Beatles' acclaimed, GRAMMY Award-winning 2009 CD remasters, it was decided that the sound experts at EMI's Abbey Road Studios should create new versions of The Beatles' vinyl LPs. The project demanded the same meticulous approach taken for the CD releases, and the brief was a simple one: cut the digital remasters to vinyl with an absolute minimum of compromise to the sound. However, the process involved to do that was far from simple.<br/><br/>The first stage in transferring the sound of a master recording to vinyl is the creation of a disc to be used during vinyl manufacture. There were two options to consider. A Direct Metal Master (DMM), developed in the late seventies, allows sound to be cut directly into a stainless steel disc coated with a hard copper alloy. The older, alternative method is to cut the sound into the soft lacquer coating on a nickel disc - the first of several steps leading to the production of a stamper to press the vinyl. <br/><br/>A 'blind' listening test was arranged to choose between a 'lacquer' or 'copper' cut. Using both methods, A Hard Day's Night was pressed with ten seconds of silence at the beginning and end of each side. This allowed not only the reproduction of the music to be assessed, but also the noise made by the vinyl itself. After much discussion, two factors swung the decision towards using the lacquer process. First, it was judged to create a warmer sound than a DMM. Secondly, there was a practical advantage of having 'blank' discs of a consistent quality when cutting lacquers. <br/><br/>The next step was to use the Neumann VMS80 cutting lathe at Abbey Road. Following thorough mechanical and electrical tests to ensure it was operating in peak condition, engineer Sean Magee cut the LPs in chronological release order. He used the original 24-bit remasters rather than the 16-bit versions that were required for CD production. It was also decided to use the remasters that had not undergone 'limiting' - a procedure to increase the sound level, which is deemed necessary for most current pop CDs. <br/><br/>Having made initial test cuts, Magee pinpointed any sound problems that can occur during playback of vinyl records. To rectify them, changes were made to the remasters with a Digital Audio Workstation. For example, each vinyl album was listened to for any 'sibilant episodes' - vocal distortion that can occur on consonant sounds such as S and T. These were corrected by reducing the level in the very small portion of sound causing the undesired effect. Similarly, any likelihood of 'inner-groove distortion' was addressed. As the stylus approaches the centre of the record, it is liable to track the groove less accurately. This can affect the high-middle frequencies, producing a 'mushy' sound particularly noticeable on vocals. Using what Magee has described as 'surgical EQ,' problem frequencies were identified and reduced in level to compensate for this.<br/><br/>The last phase of the vinyl mastering process began with the arrival of the first batches of test pressings made from master lacquers that had been sent to the two pressing plant factories. Stringent quality tests identified any noise or click appearing on more than one test pressing in the same place. If this happened, it was clear that the undesired sounds had been introduced either during the cutting or the pressing stage and so the test records were rejected. In the quest to achieve the highest quality possible, the Abbey Road team worked closely with the pressing factories and the manufacturers of the lacquer and cutting styli.<br/><br/>An additional and unusual challenge was to ensure the proper playback of the sounds embedded in the 'lock-groove' at the end of side two of Sgt. Pepper's Lonely Hearts Club Band. Requiring a combination of good timing and luck, it had always been a lengthy and costly process to make it work properly. In fact, it was so tricky, it had never been attempted for American pressings of the LP. Naturally, Sean Magee and the team perfected this and the garbled message is heard as originally intended on the remastered Sgt. Pepper LP. <br/><br/>Highly-skilled technicians have worked long and hard to make The Beatles on vinyl sound better than ever. All we need to do is listen to the results of their dedicated labour on the remastered LPs. Handle with care. But most of all, enjoy the music.