Parlophone

Ulf Lundells 15 utsålda konserter på Tyrol i Stockholm är en av de verkligt klassiska konserthändelserna i hans snart 50 åriga karriär. Albumet "Live på Tyrol" släpps nu för första gången som trippel CD.

Iron Maiden: The number of the beast [Vinyl LP]

Jubileums-utgåva med alla originallåtar + en extra skiva med 12 demos. <br/>Vinylen innehåller mer bilder och en längre pressrelease från 1975 med Lundells egna ord om albumet.

Iron Maiden: Powerslave [Vinyl LP]

The 12-track collection features ten Pet Shop Boys' recent remixes of songs by artists including Noel Gallagher's High Flying Birds, Primal Scream, Paul Weller, Tina Turner, Claptone, Wolfgang Tillmans and more, as well as a remix of their own track 'Dreamland' featuring Olly Alexander. The PSB-produced 'I'm in Love With a German Film Star' by Sam Taylor-Johnson was originally released on Kompakt in 2008 while Carroll Thompson's 'Let the Music Play' was arranged and produced by PSB in the early '90s when it was included in the soundtrack for the hit film, 'The Crying Game'. The album also includes the duo's remix of Sleaford Mods' cover of Pet Shop Boys' iconic 'West End girls' and the PSB/Soft Cell collaboration 'Purple Zone'.

Jubileums-utgåva med alla originallåtar + en extra skiva med 12 demos.

On the exact day of its Golden Jubilee, STATION TO STATION will be issued as a limited edition 50th anniversary half-speed mastered LP. <br/><br/>The album saw Bowie relocate to Cherokee Studio in Los Angeles and incorporate elements of his 'Plastic Soul' period, coupled with much more experimental elements, which would become more prevalent over his next couple of albums. The first single from the album GOLDEN YEARS, released in November 1975, would give Bowie a top ten single on both sides of the Atlantic. The second single, TVC 15, would, a decade later, be heard and seen by almost 2 billion people when Bowie chose it to open his set at Live Aid.<br/><br/>The sound of STATION TO STATION was partly influenced by Bowie's burgeoning interest in the electronic music and driving rhythms of bands coming out of Germany, such as NEU! and Kraftwerk, most notably on the ten-minute title track, while still embracing dancefloor-friendly grooves in songs such as STAY and GOLDEN YEARS.<br/><br/>Harry Maslin, who had worked with Bowie on some of the tracks on his previous album, YOUNG AMERICANS, was chosen as Bowie's co-producer. They entered the studio in September 1975 with a tight stripped-down band featuring Carlos Alomar & Earl Slick on guitars, George Murray on bass, Dennis Davis on drums, David's Childhood friend Geoffe MacCormack (under the nom de plume Warren Peace) on backing vocals and on loan from Bruce Springsteen's E-Street Band, Roy Bittan on piano and organ. Maslin has since said that the vocals on the standout track WILD IS THE WIND and GOLDEN YEARS were both Bowie's first takes.<br/><br/>Ten days after the album's release, David started the ISOLAR TOUR, which visited over 65 dates in 11 countries and is cited as being hugely influential for its use of banks of fluorescent white light set against black backdrops. At the end of the tour, Bowie started work on Iggy Pop's debut solo album, The Idiot, when the pair and producer Tony Visconti moved to Berlin to mix the record. David settled there, ready to begin his next groundbreaking musical adventure.<br/><br/>This new pressing of STATION TO STATION was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.