WMS

BONUS TRACK(S)<br/>DIGIPAK<br/>LIMITED EDITION

Disturbed: Immortalized 2015 (Deluxe) [Digipack / CD]

Clamshell box with paper sleeve mini-jackets.<br/>10 albums included, all are expanded versions except Chicago Transit Authority and Chicago III.<br/><br/>Albums included:<br/><br/>Chicago Transit Authority<br/>Chicago <br/>Chicago III <br/>Chicago V <br/>Chicago VI <br/>Chicago VII <br/>Chicago VIII <br/>Chicago X <br/>Chicago XI <br/>Hot Streets

The Lemmy Kilmister/Phil Campbell/Mikkey Dee Motörhead line-up spent decades cracking sound barriers, bending ears and decimating lawns worldwide, consistently delivering the Motörgospel to hundreds of thousands of fans. Louder Than Noise... Live in Berlin is a thunderous performance from the band's 2012 Kings of The Road tour, spanning fifteen classics across all four decades. This line-up was Motörhead's longest serving by a considerable distance, and throughout Louder Than Noise... Live in Berlin their powerful synergy boots its way through the speakers with the raucous charm and dirty, dangerous, sweaty gusto that was the Kilmister/Campbell/Dee trademark. From the unapologetically furious 'I Know How to Die' to a deliciously rare and raucous 'Over the Top', Louder Than Noise... Live in Berlin is all about the thick, raw and liberating power of Motörhead live. Further highlights include a favourably feral 'Rock It', a rudely raunchy 'You Better Run' and a classic one-two haymaker of 'Ace of Spades' and 'Overkill'. Whether a collector completist or newbie to Motörhead's music, Louder Than Noise... Live in Berlin is a welcome reminder of what real rock 'n' roll is truly about.

Groban Josh: Hidden gems 2025 [Digipack / CD]

"After doing three solo albums, the challenge of interpreting Eric Satie's music seemed challenging, appealing and also like a good way of finding new angles and flavours in my own music.<br/>What struck me while digging deeper in his catalogue was how modern and progressive he still appears, beside the soothing and calming mellowness that I think we all associate his music with, I found very brave, sometimes stubborn minimalism and besides the blue harmonies that we now associate with jazz, I found really salty, almost cluster-like colours that must have been extremely challenging for the end of 19th century ears.<br/>I humbly thank Satie for letting me borrow his music for a while (he didn't have a say though), giving me both the meditative peace I hope you will also experience while listening and, like in the Nocturne, challenging my ears and fingers to reach new territories.<br/>" - Martin Hederos<br/><br/>Artists: <br/>Martin Hederos: grand piano, celesta, felt piano, violin, Philocorda organ, Juno 60 synthesiser<br/>Dan Berglund: Double bass on tracks 1+8<br/>Konrad Agnas: Drums on track 10<br/>Anton Sundell: samples and programing on tracks 6, 9

New Order: Substance 1987 (2023/Rem) [Digipack / 2 CD]