WMS

There are certain albums in the extensive Neil Young Archives that take on a unique life of their own. Maybe it's their rarity, or a galvanizing reputation that sets them apart. One of the most anticipated releases in this ongoing musical march is the live collection ODEON BUDOKAN<br/>Originally recorded in 1976 almost a world apart at two overseas venues: Hammersmith Odeon in London and Nippon Budokan Hall In Tokyo. The ten-track album includes an electrifying range of songs, from well-known classics to true surprises.<br/><br/>This is the first official vinyl release of the previously unissued ODEON BUDOKAN. It has only been available on Compact Disc as part of Neil Young's ARCHIVES VOLUME II box set, released in 2020 in the highest-grade audio high fidelity.

Close to the Edge (Super Deluxe Edition) is the definitive version of the Yes' fifth album, and the band's greatest commercial success at the time of its 1972 release. This album version includes five CDs, one LP, and a Blu-ray disc. <br/><br/>Introducing, a newly remastered version of the original album on both CD and vinyl, rare and unreleased recordings. <br/><br/>A Blu-ray disc completes the collection with Steven Wilson's 2025 mixes, including the album in Dolby Atmos and 5.1 Mix DTS-HD MA.

"Roxette XXX - The 30 Biggest Hits" visar på bandets fenomenala förmåga att behålla greppet, från 1988 års genombrottslåt "The Look" fram till 2011 års internationella radiohit "She's Got Nothing On (But The Radio").

10 new songs that capture the raw, idiosyncratic rock and roll spirit and lyrical beauty that epitomizes a classic NYCH collaboration. <br/>Recorded this summer under a full moon, in a restored off-grid 19th century barn high up in the Rockies, the Horse was right at home and the album's stunning love songs, reflective ballads and powerhouse rockers naturally burst into life.

Band: The last waltz 1978 (Rem) [4 CD]

Marie Fredriksson presenterar sitt första album med nyskrivna svenskspråkiga låtar sedan I en tid som vår. Marie har själv producerat skivan tillsammans med sin man sedan 20 år, musikern och kompositören Mikael Bolyos och Roxette-producenten Christoffer Lundquist. Den är inspelad i Christoffers studio i Vollsjö och i Micke och Maries Studio Vinden.<br/><br/>Denna artist har förmågan att sjunga om både livets ljusa och mörka sidor på ett sätt som gjort hennes röst till en av Sveriges mest älskade - och när Marie nu gläntar på dörren till sin första platta med svenska originallåtar på 17 år (1996 kom "I en tid som vår" med hitlåtar som titelspåret, "Ber bara en gång" och "Tro") gör hon det med ett tydligt driv och stor kraft. Vilket är fullständigt i linje med hur hennes liv sett ut de senaste åren - vi talar om en donna som efter allvarlig sjukdom sensationellt återhämtat sig och som under 2010-talet gasat på med två Roxette-album, ("Charm School" från 2011 och "Travelling" från 2012), en diger världsturné samt inspelningen av detta albume. Och lägg tilll ett par prinsessbröllop på det. Albumet är en invitation till den plats de tillsammans skapat - en plats där svaghet och styrka, sorg och glädje är likvärdiga sidor av världens viktigaste kraft: Kärleken.

On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary half-speed mastered LP.<br/><br/>The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., 'FAME', co-written with John Lennon and Bowie's then guitarist, Carlos Alomar.<br/> <br/>The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. <br/> <br/>During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). <br/> <br/>When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December '74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles 'ACROSS THE UNIVERSE' and a new collaborative composition, 'FAME' at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin.<br/> <br/>Bowie opted not to tour following YOUNG AMERICANS' release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. <br/> <br/>This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer. The half-speed was cut by John Webber at AIR Studios.