WMS

The final installment in the hugely successful ERA boxes, the sixth boxset includes Bowie's final recordings covering the period from 2002 - 2016. It comprises 4 studio albums, 2 EPs, 2 Live albums and the usual Re:call compilation. <br/><br/>128 page hardback book<br/><br/>Heathen (Remastered) (1CD)<br/><br/>Montreux Jazz Festival (2CD) (Previously unreleased)*<br/><br/>Reality (Remastered) (1CD)<br/><br/>A Reality Tour (Remastered & Re-sequenced) (2CD)<br/><br/>The Next Day (Remastered) (1CD)<br/><br/>The Next Day Extra (Remastered) (1CD)<br/><br/>Blackstar (1CD)<br/><br/>No Plan (1CD)<br/><br/>Re:Call 6 (Non-album singles, edits, single versions, b-sides and soundtrack music) (Remastered) (3CD)*

The new Live E.P. features live recordings of "In My Time Of Dying" and "Trampled Under Foot" from Earl's Court, 1975, alongside "Sick Again" and "Kashmir" from Knebworth, 1979. These live performances were originally released on the 2003 Led Zeppelin DVD and appear on CD / Vinyl for the very first time.

The final installment in the hugely successful ERA boxes, the sixth boxset includes Bowie's final recordings covering the period from 2002 - 2016. It comprises 4 studio albums, 2 EPs, 2 Live albums and the usual Re:call compilation. <br/><br/>84 page hardback book<br/><br/>Heathen (Remastered) (1LP)<br/><br/>Montreux Jazz Festival (4LP) (Previously unreleased)*<br/><br/>Reality (Remastered) (1LP)<br/><br/>A Reality Tour (Remastered & Re-sequenced) (3LP)<br/><br/>The Next Day (Remastered) (2LP)<br/><br/>The Next Day Extra (Remastered) (1LP)<br/><br/>(Blackstar) (1LP)<br/><br/>No Plan (1LP)<br/><br/>Re:Call 6 (Non-album singles, edits, single versions, b-sides and soundtrack music) (Remastered) (4LP)

The new Live E.P. features live recordings of "In My Time Of Dying" and "Trampled Under Foot" from Earl's Court, 1975, alongside "Sick Again" and "Kashmir" from Knebworth, 1979. These live performances were originally released on the 2003 Led Zeppelin DVD and appear on CD / Vinyl for the very first time.

Robert Plant's Saving Grace, his first album with a new band of distinguished players, is what he calls "a song book of the lost and found." Its genesis was during lockdown in "The Shire," when Plant's customary wandering was all but forbidden. It was in the English countryside that he connected closely to this diverse group of musicians-vocalist Suzi Dian, drummer Oli Jefferson, guitarist Tony Kelsey, banjo and string player Matt Worley, cellist Barney Morse-Brown-who had a shared lean towards his corners of evocative song. Produced by Plant and the band and recorded over six years in the Cotswolds and on the Welsh Borders, Saving Grace breathes fresh life into a treasury of songs by Memphis Minnie, Bob Mosley (Moby Grape), Blind Willie Johnson, The Low Anthem, Martha Scanlan, Sarah Siskind, and Low.

Buckingham Nicks is the only studio album by the iconic duo of Stevie Nicks and Lindsey Buckingham. Produced by Keith Olsen, the album was released in September 1973, just a year prior to the pair joining forces with Fleetwood Mac on New Year's Eve 1974.<br/>Buckingham Nicks has achieved legendary status despite, and perhaps due to the fact, that it has never been remastered, reissued, or officially released digitally. Until now. This was the album that caught Mick Fleetwood's attention and led them becoming one of the most successful bands of all time.<br/><br/>LINDSEY BUCKINGHAM: "I met Mick right before New Year's Eve in 1974. Stevie and I were living in LA. We'd done an album on Polydor as a duo, which had come out without making much of a splash, and we were trying to figure out what the hell to do next. Anyway, we were doing demos of new tunes one day at Sound City studio in the San Fernando Valley. At one point I walked towards the control room. I heard a song of ours, "Frozen Love", being played very loudly and I saw this giant of a man standing up, grooving to a guitar solo of mine. I thought, "What is goin' on?", and left them to it. That man was Mick.<br/>When he heard my guitar something obviously clicked in his mind, because after their guitarist Bob Welch left, I got a call from Mick asking if I wanted to join Fleetwood Mac. Originally they weren't looking for a duo, but I said Stevie and I were a package deal."

Halestorm: Everest 2025 [CD]