WMS

Black Sabbath's first official live album, Live Evil, celebrates its 40th anniversary this year with a new Super Deluxe Edition that introduces newly remixed and remastered versions of the acclaimed double album.<br/><br/>The collections feature two versions of the legendary album: a newly remastered version by Andy Pearce along with a new mix created from the original analog multi-tracks by longtime band associate Wyn Davis. The physical versions also come with illustrated hardback books that include new liner notes and replicas of the concert book and poster from the Mob Rules tour.<br/><br/>40th Anniversary Remaster (CDs 1-2)<br/>40th Anniversary New Mix (CDs 3-4)

Little Feat is the quintessential "cult" rock band. Started by Lowell George in earnest in 1969, by 1975 they had already released five projects. Their 5th studio album, The Last Record Album, gives a subtle nod & wink to the critically acclaimed 1971 box office hit The Last Picture Show in its title and cover artwork -another wonderfully trippy collaboration with the artist Neon Park. <br/>By far the band's shortest release, with only eight total tracks, The Last Record Album still boasts several essential Feat compositions like "One Love Stand" (covered by Carly Simon) and "Long Distance Love" (covered by Elvis Costello for the Lowell George tribute album Long Distance Love: A Sweet Relief Tribute to Lowell George).<br/><br/>Getting the Rhino Deluxe treatment with this release are a 4CD featuring the original albums remastered and recut from the original tapes, alongside previously unreleased studio outtakes, demos and rarities - with the CD sporting an unreleased live show from the corresponding tour (in this case their 1975 stop at the Orpheum Theatre in Boston). <br/><br/>It's a feast for the auditory senses, with a treasure trove of material for Little Feat's feverish fan base, in the tradition of the deluxe reissues that have come before it from across their 1970's Warner catalog.

En 8CD box som innehåller nästan allt som ingick i den stora Deluxeboxen som kom 2011 - det enda som inte ingår är en liveinspelning från Reading Rock. Den nya Little Box O Snakes släpps i en normalstor CD-förpackning med topplock och 8CD i cardboard wallets, och ett 16-sidigt häfte. Den innehåller 7 album och mer därtill och är väsentligt billigare än den stora boxen.

Melodifestivalen 10 År På Turné 2002-2011 [7 CD]

Before his death in January, legendary guitarist Jeff Beck revisited concert recordings made by Beck, Bogert & Appice, the power trio he formed in 1972 with drummer/singer Carmine Appice and bassist/singer Tim Bogert. The live music captures the band at the beginning and end of its short-but-influential partnership, with two shows in Japan in 1973 and one of the group's final performances in London a year later.<br/><br/>All three band members were involved in creating LIVE IN JAPAN 1973, LIVE IN LONDON 1974, and the collection is dedicated to Beck and Bogert, who died in 2023 and 2021, respectively. The set includes an expansive booklet with extended liner notes detailing the group's history by music journalist/manager Bruce Pilato, along with memorabilia, archival photos, and a replica poster.<br/><br/>Beck and Appice mixed all the concerts in this set from the original multi-tracks that had been in Beck's archive for almost 50 years, thus knocking the many bootleg quality releases, that Beck hated, out of the park! The two performances at Koseinenkin Hall in Osaka, Japan (recorded May 18 and 19, 1973) were released exclusively in Japan a few months after the shows, but never in the U.S. The complete concert at the Rainbow Theatre in London, England (recorded January 26, 1974) has never been released anywhere. <br/><br/>In the booklet, Pilato explores the short existence and lasting legacy of Beck, Bogert & Appice, a supergroup that critics once hailed as "the first successor to Cream" (Melody Maker) and an "ensemble of virtually unparalleled magnificence" (NME). <br/><br/>LIVE IN JAPAN 1973 was recorded only a few weeks after Beck, Bogert & Appice's self-titled debut came out. The music ripples with raw energy as the group delivers exhilarating live versions of nearly every song on the album, including "Superstition," "Lady," and "Livin' Alone." The trio also played songs by the Yardbirds ("Jeff's Boogie") and the Jeff Beck Group ("Morning Dew" and "Going Down.")

Script For A Jester's Tear was Marillion debut studio album originally released on 13 March 1983, reaching number seven in the UK Albums Chart (eventually achieving a platinum status) and produced the two Top 40 singles He Knows You Know (35) and Garden Party (16).<br/><br/>Formed in Aylesbury, Buckinghamshire, in 1979, the band went through several personnel changes before recording their debut album. Having attracted attention with a three-track session for the Friday Rock Show they were signed by EMI Records releasing their first single, Market Square Heroes, in October 1982 with their debut album Script For A Jester's Tear following a few months later after their second single He Knows You Know.<br/><br/>The CD version will have the same audio across 4CD plus a bonus Blu-Ray featuring "The Script Interviews" a wonderful documentary covering the formation of the band through to the release of Script For A Jester's Tear in their own words.

Neil Young continues his Official Release Series (ORS) with the next installment of four classic titles from the 1990s. ORS Vol 6: Discs 26, 27, 28 & 29 collects HARVEST MOON, UNPLUGGED, SLEEPS WITH ANGELS and MIRROR BALL in the ongoing reissue series. <br/><br/>Each disc in the limited edition, numbered box sets will contain 4 albums with the original, historically accurate artwork and will be reissued on double vinyl LPs, while the CD box contains single CD sets per title. MIRROR BALL is an analog recording and the album has been remastered from the original analog masters by John Hanlon and Chris Bellman at Bernie Grundman Mastering. Additionally, four of the tracks have been remixed by John Hanlon and Chris Bellman at Bernie Grundman Mastering. ("I'm The Ocean", "Big Green Country", "Truth Be Known", "Throw Your Hatred Down"<br/> <br/>HARVEST MOON (ORS Disc 26), originally released in 1992, helped open a new decade of Young's music with what would become instant new classics like the title track "Harvest Moon," "From Hank to Hendrix," and "One of These Days." It included originals written in the 1980s as well as brand new songs, which quickly became fan favorites and one of the most beloved albums in Young's recorded output. <br/> <br/>UNPLUGGED (ORS Disc 27), originally released in 1993, was first recorded for an MTV Unplugged concert, along with additional live recordings. Young thoughtfully assembled a group of musicians he had recorded with over the years for this special aggregation that quickly became a collector's item as tapes were first shared from the show among his fans. The official live album is considered an acoustic one-of-a-kind release from Young's 90's cannon. <br/> <br/>SLEEPS WITH ANGELS (ORS Disc 28), originally released in 1994, is an album that wrote its own legend when released. Including the 14-minute song "Change Your Mind" and "Unknown Legend," it had a distinctiveness with Crazy Horse that Young achieved by keeping the sessions as spontaneous and immediate as possible allowing the tracks to breathe and come to life in real time. SLEEPS WITH ANGELS was the last album to be produced by Neil's long-time collaborator David Briggs, who passed away in 1995 at age 51, which also brings a special meaning to these recordings. <br/> <br/>MIRROR BALL (ORS Disc 29), is a double-album originally released in 1995 and recorded with Pearl Jam. Considering the Seattle band was one of the prime movers of rock bands in the 1990s, it was an event immediately upon its release, and found a rabid, younger audience and inspired long-time fans alike with its inherent high energy. Songs like "I Am The Ocean," "Throw Your Hatred Down" helped impact so much of the second half of the 1990s. <br/> <br/>The OFFICIAL RELEASE SERIES VOLUME 6 - DISCS 26, 27, 28 & 29 (ORS Vol 6) captures a large visceral part of the era, when Young was continuing his exploration of music with an unrelenting edge, in ways that he hadn't really done before. These four releases took him towards a new century, and anticipated some of the musical places he would soon explore. The songs also capture some of the massive changes that the 2000s would bring, and ways that music would take on challenges that are still very much being met.