WMS

Warner Music are delighted to announce the release of a commemorative triple black vinyl album in honour of the 40th Anniversary of IRON MAIDEN's seminal third album, The Number Of The Beast, which was also the first to feature Bruce Dickinson on vocals and was to become the record which catapulted the band to international stardom. Included in the new vinyl package is Beast Over Hammersmith - available now officially for the very first time on vinyl - featuring the live concert from March 1982's now legendary Hammersmith Odeon London show from the Beast On The Road World Tour. Recorded only days before the release of The Number Of The Beast album, its remarkable to think these now classic songs at that time were still brand new, unfamiliar and being heard live by fans for the very first time. A real piece of history in the making.<br/><br/>The package features exclusive liner notes written by Maiden founder and bassist Steve Harris as well as restored and expanded artwork taken from the CD format of Beast Over Hammersmith, previously only available in the Limited Edition Eddie's Archive boxset originally released in 2002. <br/><br/>Steve Harris comments, <br/>"On this vinyl release we get the chance to put Total Eclipse in its rightful spot on the album for the first time. The reason it didn't make it in the first place was that it was all a mad rush when we were finishing the record and we had to get the Run to the Hills single out before the tour and we basically had to pick a B-side and it was between Gangland and Total Eclipse and we just picked the wrong one, really! I think Total Eclipse is a stronger song and the album would have been stronger if it had been on there."

Tom Petty & The Heartbreakers famously played 20 nights at the legendary Fillmore venue in San Francisco in 1997. 6 of the shows were professionally recorded and this release features many of the high points of the residency. The small venue allowed the band to vary their sets each night; they included re-arranged and distinctive versions of their hits, deep cuts, and many cover versions-paying tribute to the artists that Tom and the band had been influenced by. The 4 CD deluxe edition includes 58 tracks, 35 of which are covers - over 4 hours of music. The 4 CDs are packaged in a box with a 32-page booklet (with previously unseen photographs), 3 custom guitar picks, a replica All Access laminate, and an embroidered patch ("The Fillmore House Band" -a term that was bestowed on The Heartbreakers during the shows at the Fillmore).

On the exact day of its Golden Jubilee, YOUNG AMERICANS will be issued as a limited edition 50th anniversary picture disc LP with a poster pressed from the same master.<br/><br/>The album saw Bowie broaden his musical horizons once more, embracing what he called 'Plastic Soul' and would give Bowie his first number one single in the U.S., 'FAME', co-written with John Lennon and Bowie's then guitarist, Carlos Alomar.<br/> <br/>The album was partly influenced by the 'Philly Sound' and recorded in Philadelphia at Sigma Sound studios during a break in the DIAMOND DOGS tour with a band that featured amongst others Bowie stalwart Mike Garson on keys, along with the late Luther Vandross on vocals and David Sanborn on saxophone. <br/> <br/>During the Tony Visconti produced sessions at Sigma Sound, Bowie immersed himself in soul music and created a new persona called The Gouster, a slang term for a hip street character. An early version of the album using this title was issued on the boxset WHO CAN I BE NOW? (1974-1976). <br/> <br/>When the tour recommenced, Bowie radically reworked the setlist to incorporate the new material and stripped the elaborate production of the tour back to reflect a radically new musical direction. At the end of the tour in December '74, sessions continued at The Record Plant and, while recording in New York, Bowie connected with John Lennon, where they recorded a cover of The Beatles 'ACROSS THE UNIVERSE' and a new collaborative composition, 'FAME' at Electric Lady Studios. The New York sessions were co-produced by David and Record Plant engineer Harry Maslin.<br/> <br/>Bowie opted not to tour following YOUNG AMERICANS' release, and within nine months, had moved on again, releasing his next album, STATION TO STATION, and reinventing himself once again in the persona of The Thin White Duke. <br/> <br/>This new pressing of YOUNG AMERICANS was cut on a customised late Neumann VMS80 lathe with fully recapped electronics from 192kHz restored masters of the original Record Plant master tapes, with no additional processing on transfer.

Sabaton: Carolus Rex (Swedish/Blue/Yellow) [Gatefold / Vinyl LP]

Halo Effect: March of the unheard (Nordic/Green) [Gatefold / Vinyl LP]

Before his death in January, legendary guitarist Jeff Beck revisited concert recordings made by Beck, Bogert & Appice, the power trio he formed in 1972 with drummer/singer Carmine Appice and bassist/singer Tim Bogert. The live music captures the band at the beginning and end of its short-but-influential partnership, with two shows in Japan in 1973 and one of the group's final performances in London a year later.<br/><br/>All three band members were involved in creating LIVE IN JAPAN 1973, LIVE IN LONDON 1974, and the collection is dedicated to Beck and Bogert, who died in 2023 and 2021, respectively. The set includes an expansive booklet with extended liner notes detailing the group's history by music journalist/manager Bruce Pilato, along with memorabilia, archival photos, and a replica poster.<br/><br/>Beck and Appice mixed all the concerts in this set from the original multi-tracks that had been in Beck's archive for almost 50 years, thus knocking the many bootleg quality releases, that Beck hated, out of the park! The two performances at Koseinenkin Hall in Osaka, Japan (recorded May 18 and 19, 1973) were released exclusively in Japan a few months after the shows, but never in the U.S. The complete concert at the Rainbow Theatre in London, England (recorded January 26, 1974) has never been released anywhere. <br/><br/>In the booklet, Pilato explores the short existence and lasting legacy of Beck, Bogert & Appice, a supergroup that critics once hailed as "the first successor to Cream" (Melody Maker) and an "ensemble of virtually unparalleled magnificence" (NME). <br/><br/>LIVE IN JAPAN 1973 was recorded only a few weeks after Beck, Bogert & Appice's self-titled debut came out. The music ripples with raw energy as the group delivers exhilarating live versions of nearly every song on the album, including "Superstition," "Lady," and "Livin' Alone." The trio also played songs by the Yardbirds ("Jeff's Boogie") and the Jeff Beck Group ("Morning Dew" and "Going Down.")

The Latin Kings klassiska debutalbum Välkommen till förorten kommer för första gången på vinyl.<br/>Albumet har tidigare bara släppts på CD och skivan rankades av den svenska musiktidningen Sonic Magazine i juni 2013 som det 6:e bästa svenska albumet någonsin.