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After two successful collaborations with 2012 "Don't Explain" and 2013 "Seesaw" Beth Hart & Joe Bonamassa decided to tour for the first time. The duo did a very short exclusive run in prestigious venues, ending the tour with 2 sold out shows in the historic Carre Theater in Amsterdam. This beautiful location was where Beth Hart, known for her raw and powerful blues-rock sound, amazed everyone with a spectacular performance.

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Den 21 och 22:a januari förra året spelade Grammy-nominerade rock- och bluesgitarristen, sångaren och låtskrivaren Joe Bonamassa två unika akustiska konserter på anrika Carnegie Hall i New York. Båda konserterna spelades in och sammanställdes till Joe Bonamassa Live At Carnegie Hall - An Acoustic Evening. Utgåvan innehåller annorlunda arrangemang med akustisk sättning av en rad av Bonamassas klassiker tillsammans med nya låtar och sådana han aldrig tidigare spelat live.<br/><br/>Konserterna ingick in en speciell akustisk mini-turné i början av förra året då Bonamassa åkte runt med en antal renommerade musiker som den kinesiske erhuspelaren och cellisten Tina Guo, den egyptiske slagverkaren Hossam Ramzy, som bl a spelade på Page & Plants No Quarter, Reese Wynans (piano), Anton Fig (trummor), Eric Brazilian (mandolin, nyckelharpa, saxofon, akustisk gitarr och sång) samt den australiska sångartrion Mahalia Barnes, Juanita Tippins och Gary Pinto.

En hyllning till the British Blues Explosion, med otroliga versioner av låtar av Eric Clapton, Jeff Beck och Jimmy Page! Joe Bonamassa hyllade sina brittiska blues-hjältar på en kort 5-dagars turné i Storbritannien. Denna inspelning gjordes på Greenwich Music Time vid The Old Royal Naval College i Greenwich, London den 7 juli, 2016.<br/> <br/>Den brittiska bluesen är den musik som mest kommit att influera Joe Bonamassa. Redan vid unga år fastnade han för den råa och skitiga musiken som spelades i Storbritannien i mitten av sextiotalet. Särskilt fastnade han för de egensinniga och innovativa gitarristerna och då framför allt de tre tungviktarna Eric Clapton, Jeff Beck och Jimmy Page. Han hyser den djupaste respekt för vad de har åstakommit. <br/> <br/>Joe Bonamassas kärlek till den brittiska blues-rocken är själva hjärtat i all den musik som inspirerat honom och för första gången fick han tillfälle att visa sin aktning och respekt för alla dessa artister men främst då Clapton, Beck och Page.<br/> <br/>I femmannabandet ingick Michael Rhodes (bas), Reese Wynans (klaviaturer), Anton Fig (trummor) och Russ Irwin (kompgitarr och stämsång).<br/> <br/>Joe Bonamassa anser det nödvändigt att lyfta fram dessa fantastiska musiker för framtida generationers bluesartister. "Om det inte vore för dessa brittiska bluesmusiker så skulle nog inte bluesen haft den stora inverkan på rockmusiken som den har idag och skulle kanske rent av förpassats till historieböckerna," säger Bonamassa.

On May 4th , 2018 the Grammy nominated blues rocker played London's world-famous Royal Albert Hall which became a landmark gig for the versatile vocalist and multi-instrumentalist. <br/>Known for her visceral, soul-baring vocals and dynamic range, Hart is riding a creative tidal wave following the release of her critically acclaimed 2016 studio album, 'Fire On The Floor,' as well as her just-released studio collaboration with guitarist Joe Bonamassa, 'Black Coffee.' Levelling audiences with her incredible power and celebrated burnt-honey vocals for 20 years.

The concert was recorded at the historic Vienna Opera House July 2012 during a very special two-week long unplugged tour, played to a limited audience over seven exclusive European shows. Varying from Bonamassa's predominantly electric blues shows, this presentation was an all-acoustic concert performance, making it a unique and very special show fans had been waiting years to experience.<br/><br/>The Opera House in Vienna, regarded as the "City of Music," was chosen for the main event because of its history and splendour, and association with many legendary composers. Accompanying Bonamassa on the same stage once graced by Mozart, Beethoven, Schubert, Brahms, Mahler, and Haydn are traditional Irish fiddler Gerry O'Connor, who also plays mandolin and banjo; Swedish multi-instrumentalist Mats Wester on the nyckelharpa, a keyed fiddle; Los Angeles-based keyboardist Arlan Schierbaum texturing the mix with celeste, accordions, toy pianos, and assorted "organic" instruments; and renowned Puerto Rican percussionist Lenny Castro.<br/><br/>Joe recalls, "Originally, when I had the idea of doing an all-acoustic concert, I imagined doing it solo. I'd surround myself with a bunch of guitars, tell the background story of each song, and then play it. Kevin believed the show would be more exciting with a band and he got to work. All of a sudden, we had a five-piece group, and 72 hours to rehearse 20 or so songs. It was amazing, different than anything I'd ever done before." <br/><br/>An Acoustic Evening at the Vienna Opera House features gorgeously textured music made with a wealth of rare, vintage, organic, and "oddball" instruments. Highlights among the 22 songs include "Woke Up Dreaming"-the one acoustic song, and fan favourite, that Bonamassa regularly plays during his electric shows- as well as "Around The Bend," "Driving Towards The Daylight," "Ball Peen Hammer," and "Sloe Gin." <br/> <br/>The show is produced by Kevin Shirley, whose productions have been at the top of the charts for decades, including works from Led Zeppelin and Iron Maiden to Beth Hart and John Hiatt.<br/><br/>"To say this was a challenge is an understatement," said Bonamassa. "To say this was a departure from anything I had ever done before is an even bigger understatement. I can say with full certainty that it was the most enjoyable tour I have ever done. On this tour I really learned the virtues of my singing lessons over the years. Take away those long guitar solos, all that sustain and that big Gibson sound and what is left leaves you no option but to dig deep and sing until you can't sing anymore."