UNI

To celebrate 60 years of this incredible journey, From The First Sting takes you through the band's most iconic and defining eras. Featuring 31 handpicked tracks, this collection showcases the band's decades of work featuring 2 unreleased song versions.

Efter fem års tystnad som soloartist kliver Nisse Hellberg åter in i rampljuset med en rykande färsk soloplatta som doftar klassisk rock'n'roll och honky tonk-country. Den legendariske frontmannen i Wilmer X visar ännu en gång varför han är en av Sveriges mest älskade låtskrivare, och den här gången gör han det tillsammans med sitt gamla gäng bestående av Janne Lindén, Marcus Källström, Tobias Einestad och Ubbe Hed.<br/>"Fyra på golvet" är producerad av Chips Kiesbye och Nisse Hellberg, och för text och musik står Nisse Hellberg.

Fearless is the definitive career-spanning anthology from Ronnie Wood - legendary guitarist, master songwriter, and global rock icon. <br/>This double album tells the story of Ronnie's extraordinary musical journey, from his earliest recordings as a teenage prodigy in the 1960s to four brand-new tracks, his first new solo material since 2010's 'I Feel Like Playing'.<br/>Featuring standout moments from all seven of his solo studio albums, as well as co-writes and essential moments with the Rolling Stones, the Faces, Rod Stewart, Ronnie Lane, the Jeff Beck Group and more.<br/>Twice inducted into the Rock and Roll Hall of Fame and a cornerstone of The Rolling Stones since 1975, Ronnie Wood's name is etched into the DNA of rock music.<br/>From his earliest steps in the studio right through to its quartet of new tracks, 'Fearless' celebrates a virtuoso guitarist, gifted songwriter, performer, sometime frontman and international treasure. It's a fitting compendium of 60 years and counting of unique creativity.

MAYHEM blandar den eklektiska energi som först fängslade hennes fans med en djärv, orädd och konstnärlig vision, och markerar en triumferande återgång till Gagas poprötter. Albumet utforskar teman som kaos och transformation, och hyllar musikens kraft att förena, provocera och läka.<br/><br/>"Albumet började med att jag mötte min rädsla om att återvända till den popmusik som mina tidigaste fans älskade", säger Gaga. Långt ifrån en nostalgisk tillbakablick återuppfinner MAYHEM hennes tidiga sound med ett kalejdoskopiskt tillvägagångssätt som bygger på hennes expansiva musikaliska bibliotek samtidigt som hon anammar ett nytt och rått konstnärligt perspektiv. Gaga beskriver den kreativa processen som att "sätta ihop en krossad spegel: även om du inte kan sätta ihop bitarna perfekt kan du skapa något vackert och helt på ett nytt sätt."<br/><br/>I det 14 spår långa projektet - som innehåller de tidigare släppta låtarna "Disease" och "Die With a Smile" - hittar vi producenterna som består av Gaga, Michael Polansky och Andrew Watt, Cirkut och Gesaffelstein.<br/><br/>"Disease" hyllades av The Independent som "hennes bästa på länge", medan The Guardian berömde dess "fräsande, förvrängda synthar"och "dunkande, lätt industriella beat". Rolling Stone lyfte fram dess "grottliknande synthlinje" och "klassiska Gaga shout-along-refräng". Musikvideon till "Disease", regisserad av Tanu Muino, hyllades av Vogue som "en av årets bästa videor", medan W firade dess "filmiska, nästan teaterliknande upplevelse".

På albumet "Sommarland" har Darin jobbat med bland andra William Forsling och Petter Alfredsson (Molly Sandén, Leksell, Newkid) och titelspåret sätter tonen för albumet med sin solkyssta inbjudan att njuta av livet.

Anthology 4, is newly curated by Giles Martin, including 13 previously-unreleased session outtakes dating from 1963 to 1969. It also includes the band's final single, 'Now And Then', released in 2023, and new mixes of The Beatles' Anthology-associated hit singles: the GRAMMY-winning 'Free As A Bird' and 'Real Love', given new life by their original producer, Jeff Lynne, using de-mixed John Lennon vocals.

Universal Music Recordings is proud to announce a new box set celebrating a breakthrough year in the life of one of the greatest rock bands of all time. Thin Lizzy.<br/> <br/>THIN LIZZY 74-75 - NIGHT LIFE / FIGHTING is the follow-up to the best-selling and critically acclaimed follow-up to the best-selling and critically acclaimed THIN LIZZY 76. The 7CD set features new stereo mixes and the original versions of the studio albums released by the band in 1974 and 1975, 'Night Life' and 'Fighting'. The other discs contain unreleased versions from the band's vault, radio sessions, demos and a live show from Derby College of Technology recorded on November 21 1975. <br/> <br/> <br/>THIN LIZZY 74-75 - NIGHT LIFE / FIGHTING is housed in a 10 x 10 box with a 40-page hard-backed book with sleeve notes by renowned music writer Mark Blake and packed with rare photos.<br/> <br/>By mid-1974, Thin Lizzy were at a crossroads; they'd had a hit, Whiskey In The Jar, which they hated, and guitarist Eric Bell's lifestyle choices led to him being fired, and a young Gary Moore was drafted in for a tour and some demos. Scott Gorham, a twenty-something American guitar player, had come to London on the vague promise of a gig in his brother-in-law's band Supertramp, but it turned out they weren't hiring after all. <br/> <br/>Thin Lizzy's rhythm section, Phil Lynott on bass & vocals, and drummer Brian Downey set up base camp at the Iroko Country Club, an African restaurant/bar on North London's Hampstead Hill, to audition new guitarists after Moore left to do his own thing. One of the early candidates was 'Robbo', an eighteen-year-old Glaswegian Brian Robertson, who arrived three weeks after auditions began. However, Lynott was looking for something else, and it soon became apparent that he was looking for two guitarists in the band. "The thing is, I'd never heard of Thin Lizzy or any of their music," admits Gorham. "I was the complete underdog." However, Gorham got the gig, and Lizzy signed to Phonogram Records' rock imprint Vertigo. But there'd been some sleight of hand involved, Vertigo had been impressed by Lizzy's last demo, especially Gary Moore's playing on the ballad 'Still In Love With You'. <br/> <br/>Making 'Night Life' was a baptism of fire for Thin Lizzy's new recruits. The line-up had only been together a few weeks before Vertigo put them in London's Trident Studios with American producer Ron Nevison, who had engineered The Who's Quadrophenia and Bad Company's best-selling debut. The two guitarists complemented each other, with Robertson's rigorous, blues-based sound counterbalanced by Gorham's freer approach. However, Gary Moore's version of 'Still In Love With You' made it onto the finished album. 'Night Life' was released on November 8, 1974, with a cover illustration by artist Jim Fitzpatrick, whose black panther surveying an urban landscape acknowledged the Black Panthers' political organisation. The album stalled outside the Top 50, though. "I think Ron made the album he wanted to make," offers Gorham. "My frustration is the original record never sounded the way we did on stage."<br/> <br/>Downey is more sanguine about the record: "It was our first album with two musicians that had never been in a studio before. Making an album as good as that was a big achievement, whether it sold any copies or not."<br/> <br/>Lizzy's steep learning curve continued through March and April 1975, on their first trip to the US, opening for Canadian rockers, Bachman-Turner Overdrive. After Bachman-Turner Overdrive, Lizzy opened for ZZ Top, Rush and Bob Seger And The Silver Bullet Band before flying home. Thin Lizzy's cover of Bob Seger's 'Rosalie', the live version of which would later give Lizzy a top 20 hit, would be included on their fifth album, which, after being unsatisfied with the experience on 'Night Life', would be produced by Lynott alone with engineer Keith Harwood, fresh from David Bowie's Diamond Dogs and the Rolling Stones' It's Only Rock'n'Roll.<br/> <br/>'Fighting' had more edge and focus than 'Night Life'. "America influenced us," suggests Downey. "If we hadn't gone to America, I don't know how 'Fighting' would have turned out. We saw how much hard rock was accepted in America, and this changed our direction." The LP cover, though, would cause red ace faces for decades to come; the British version of the album showed them in a Westbourne Grove alley, staring down the photographer's lens, brandishing weapons: Robertson held a knife and Downey and Lynott various lengths of pipe. "If there was a chart for the worst album covers of all time, that would be in the top ten," laughs Gorham, who has no idea why he wasn't given an offensive weapon and just stood with his arms folded.<br/> <br/>Released on September 12, 1975, Fighting peaked at Number 60 in the UK. "I don't know if we were disappointed," says Robertson. "Because it did better than Night Life."<br/> <br/>Thin Lizzy finally achieved their much-needed breakthrough in 1976. Their reputation would be forged with the groundbreaking Jailbreak, Johnny The Fox and Live And Dangerous albums. But the road to victory began in 1974 and 75.