NAX

Klassiska Favoriter 2 [3 CD]

Fröken Elvis projekt tillhör tveklöst årets största utropstecken på den svenska musikscenen. Gruppens föreställningar på Stockholms Stadsteater i våras sålde ut på nolltid, låten Leverera (A Little Less Conversation på svenska) har blivit en omtalad P4-hit - och om ett par veckor spelar Fröken Elvis i London. Förklaringen till framgångarna är helt enkel så självklar som att det faktiskt är exceptionellt väl genomfört. Utan att tidigare ha haft någon djupare relation till Elvis Presley har Camilla Fritzén, Maria Olsson, Sanna Andersson, Josefin Berge och Lisa Bodelius lyckats skapa åtta svenska texter och musikaliska nytolkningar som på ett tidlöst sätt träffar rätt. Tveklöst ett utropstecken. <br/><br/>- Simba / CO

One Father, One Son, Two Guitars<br/><br/>"He plays the guitar like he was born with it already in his hands" was how John McLaughlin once praised Ulf Wakenius. What is true for the father might be even more true for Ulf's guitarist son Eric, who probably was quite literally born with one..<br/><br/>"Eric really is a blessing", says Ulf Wakenius. "We have shared many concerts all over the world and it has always been a pure joy!" So the time is clearly right to document this family saga: "Father And Son" is a virtuoso conversation in the art of contemporary jazz guitar. This duo can launch into swing mode, or strut out towards rock, they are capable of being both lyrical and percussively extrovert, they can dream ballads or go at breakneck speed. And whether they are telling tales of exotic lands or contemplating their native Sweden, the pair - with their instinct for atmosphere, their sensitivity to acoustics and balance - make soul-stirring, affecting and compelling music, in which the listener can detect the closeness of their connection to each other.<br/><br/>The musical backgrounds of father and son are very different. Ulf Wakenius had ten years as a member of the Oscar Peterson Quartet and also worked with the two legends of the bass, Ray Brown and Niels-Henning Ørsted Pedersen. He is known for his collaborations with great jazz figures such as Pat Metheny, Michael Brecker and Michel Legrand, and of course for his work with the singer Youn Sun Nah. He is not just one of the most busy and in-demand players, but also the most creative jazz guitarists of our era. His son Eric, by contrast was born in 1988 and surrounded as a teenager by the rock and pop music of the nineties. After that, he spent a lot of time in Los Angeles, where he picked up many different stylistic directions from that city's musical melting pot. "He has played a lot of electric guitar", explains Wakenius, "but - like me - he has fallen in love with the acoustic guitar and its many possibilities."