BOR

Status Quo: Live in Hammersmith '79 [2 CD]

Lex Legion: Lex Legion [Vinyl LP]

Evergrey: Architects of a New Weave [2 CD]

The new HARDLINE album 'Shout' sees the band helmed by American vocalist Johnny Gioeli (Axel Rudi Pell, Crush 40) and his Italian team mates, keyboardist Alessandro Del Vecchio (Vanden Plas, Jorn), guitarist Luca Princiotta, bassist Anna Portalupi and drummer Marco Di Salvia, take up where their 1992 Melodic Rock masterpiece "Double Eclipse" left off.<br/>"Our current album features our typical choruses and the classic songwriting style of 'Double Eclipse', supported by a contemporary production and state-of-the-art sound. The album gives you that feeling you get when you roll down your car window and turn up the radio on full blast," says Johnny Gioeli, describing the ten new songs. He adds: "This band doesn't want to reinvent its music. Hardline are Hardline, and our fans know what to expect from us!"<br/>FOR FANS OF: Journey, Axel Rudi Pell, Dokken, Scorpions, Pretty Maids, Michael Schenker, Europe

Uada: Interwoven [Vinyl LP]

Ravenous Swedish Death Metal! Heavy, raw, melodic and mercilessly dark! Hailing from Stockholm, Sweden, the breeding ground of Entombed, Dismember and Unleashed, Xorsist carry the city's Death Metal legacy with conviction. Rooted in the raw buzz saw tradition of early '90s Swedish Death Metal yet sharpened with modern bite, the band have steadily risen through the underground with "Deadly Possession" (2022) and "At the Somber Steps of Serenity" (2023). While their earlier recordings honored the path that defined the classic Stockholm sound, "Aberrations" marks a decisive step forward, eclipsing everything that came before it and presenting a clearer, more defined expression of the band's musical vision. With this new chapter, Xorsist continue to carry the Swedish Death Metal torch into darker territory!

Cult Scandinavian Folk Metal! Otyg's first demo recordings "Bergtagen" remastered from the original tapes! Before folk Metal turned into a gimmick, Otyg were already there; "Bergtagen" captures the band at its purest. Earthy, melodic, and deeply Scandinavian. No posturing, no plastic bombast. Just strong riffs, breathing rhythms, violin, jaw harp, and Vintersorg sounding raw, urgent, and serious. Though often called a demo, "Bergtagen" never felt like one. The songs are fully formed, memorable, and played with intent.