Film

En megabox innehållande alla kända inspelningar från Bob Dylan omskrivna och kontroversiella turné 1966 i USA, Europa och Australien. En 36CD box samt med inspelningar från mixerbordet, CBS mobile recording och inspelningar från publiken. Massor av dessa inspelningar har inte givit ut på suspekta bootlegs. Dessutom ingår en bok med liner notes av Clinton Heylin, som tidigare skrivit om denna turné.<br/><br/>Bob Dylan: The 1966 Live Recordings:<br/>Disc 1 - Sydney, April 13, 1966 (Soundboard recorded by TCN 9 TV Australia)<br/>Disc 2 - Sydney, April 13, 1966 (Soundboard recorded by TCN 9 TV Australia)<br/>Disc 3 - Melbourne, April 20, 1966 (Soundboard / unknown broadcast)<br/>Disc 4 - Copenhagen, May 1, 1966 (Soundboard)<br/>Disc 5 - Dublin, May 5, 1966 (Soundboard)<br/>Disc 6 - Dublin, May 5, 1966 (Soundboard)<br/>Disc 7 - Belfast, May 6, 1966 (Soundboard)<br/>Disc 8 - Belfast, May 6, 1966 (Soundboard)<br/>Disc 9 - Bristol, May 10, 1966 (Soundboard / audience)<br/>Disc 10 - Bristol, May 10, 1966 (Soundboard)<br/>Disc 11 - Cardiff, May 11, 1966 (Soundboard)<br/>Disc 12 - Birmingham, May 12, 1966 (Soundboard)<br/>Disc 13 - Birmingham, May 12, 1966 (Soundboard)<br/>Disc 14 - Liverpool, May 14, 1966 (Soundboard)<br/>Disc 15 - Leicester, May 15, 1966 (Soundboard)<br/>Disc 16 - Leicester, May 15, 1966 (Soundboard)<br/>Disc 17 - Sheffield, May 16, 1966 (CBS Records recording)<br/>Disc 18 - Sheffield, May 16, 1966 (Soundboard)<br/>Disc 19 - Manchester, May 17, 1966 (CBS Records recording)<br/>Disc 20 - Manchester, May 17, 1966 (CBS Records recording except Soundcheck/Soundboard)<br/>Disc 21 - Glasgow, May 19, 1966 (Soundboard)<br/>Disc 22 - Edinburgh, May 20, 1966 (Soundboard)<br/>Disc 23 - Edinburgh, May 20, 1966 (Soundboard)<br/>Disc 24 - Newcastle, May 21, 1966 (Soundboard)<br/>Disc 25 - Newcastle, May 21, 1966 (Soundboard)<br/>Disc 26 - Paris, May 24, 1966 (Soundboard)<br/>Disc 27 - Paris, May 24, 1966 (Soundboard)<br/>Disc 28 - London, May 26, 1966 (CBS Records recording)<br/>Disc 29 - London, May 26, 1966 (CBS Records recording)<br/>Disc 30 - London, May 27, 1966 (CBS Records recording)<br/>Disc 31 - London, May 27, 1966 (CBS Records recordings)<br/>Disc 32 - White Plains, NY, February 5, 1966 (Audience tape)<br/>Disc 33 - Pittsburgh, PA, February 6, 1966 (Audience tape)<br/>Disc 34 - Hempstead, NY, February 26, 1966 (Audience tape)<br/>Disc 35 - Melbourne, April 19, 1966 (Audience tape)<br/>Disc 36 - Stockholm, April 29, 1966 (Audience tape)

The latest chapter in Columbia/Legacy's highly acclaimed Bob Dylan Bootleg Series revisits an often-forgotten, rich vein in Dylan's vast and complex catalog, shining fresh light on the provocative new musical directions Dylan was taking as a songwriter and a recording artist from 1980 through 1985. In the early 1980s, while the music industry was grappling with the arrival of new trends and technology, from MTV to compact discs to digital recording, Bob Dylan was writing and recording new songs for a new decade, creating an essential new chapter in his studio catalog. Bob Dylan - Springtime In New York (1980-1985) celebrates the rich creative period surrounding Dylan's albums Shot Of Love, Infidels, and Empire Burlesque with previously unreleased outtakes, alternate takes, rehearsal recordings, live performances and more. <br/><br/>The deluxe 5CD edition of the album presents 57 rare Bob Dylan recordings, 54 of them previously unreleased in any format, from 1980-1985. The previously released cuts include two Shot Of Love outtakes: "Let It Be Me" (first released as B-side to "Heart of Mine" International 7" single) and "Don't Ever Take Yourself Away" (first released on Hawaii Five-O: Original Songs from the Television Series). A third previously released recording, "Death Is Not The End" (an Infidels outtake featuring Full Force) first appeared in an edited version on Down In The Groove and may now be heard for the first time in full on Bob Dylan - Springtime In New York (1980-1985).

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Grace Under Pressure, Rush's tenth studio album, was originally released in April 1984, and it features some key sonic-template modifications resulting from the band's decision to further evolve its sound by enlisting a new producer after a successful decade of working with Terry Brown behind the board. The eight songs comprising Grace Under Pressure build from where September 1982's Signals left off by fully embracing the tech and temper of the times while still remaining true to the band's knack for blending progressive roots with radio-welcome song arrangements. Grace Under Pressure was co-produced by Rush with Peter Henderson and engineered by Paul Northfield with assistance from Frank Opolko and Robert Di Giola. It was the fourth in a series of Rush recording sessions ultimately held at Le Studio in Morin-Heights, Quebec. Rush's instinctive recording process at Le Studio had been DNA-infused during sessions held there for the aforementioned Signals, in addition to February 1981's Moving Pictures and January 1980's Permanent Waves.<br/> <br/>"...our songwriting had taken us to a different musical place, says Geddy Lee, "an expansion of our soundscape with a range of new technologies, not just keyboards and samples, but electronic drums too, while getting to know the new dude behind the console with a very different working style."<br/> <br/>"Distant Early Warning," the lead-off track on Grace Under Pressure, announces the clear directional shift. "Afterimage" is a heartfelt reflection on the unexpected passing of someone close to the band that leads right into the confines of "Red Sector A," a chilling tale of incarceration, intimidation, and uncertainty. Side A closes out with the inner-reflective "The Enemy Within," subtitled "Part One of Fear." (The "Fear" trilogy was presented in reverse order, with Part Two, "The Weapon," appearing on Signals, and Part Three, "Witch Hunt," debuting on Moving Pictures.)<br/> <br/>Side B commences with the humanoid escape drama that is "The Body Electric," while "Kid Gloves" acts as stay-tough sequel of sorts to the sound of its Signals antecedent "The Analog Kid," and the skittery "Red Lenses" captures mile-a-minute thoughts of anxiety, all propelled by a loping low-end riff. The album closes with the widening gyre of "Between The Wheels," a track that became a latter-day concert favorite during Rush's final R40 tour.<br/><br/>The limited-edition version of the Super Deluxe Edition includes four CDs, one Blu-ray, and a 52-page hardcover book. CD1 features the album's original 1984 stereo mix newly remastered from the original analog stereo master tapes by Sean Magee at Abbey Road Studios. Although Grace Under Pressure was the first Rush studio album not produced by Terry Brown after a decade long healthy working relationship, CD2 now features Brown's brand-new stereo mix of the album, as created from the original studio album's analog multitracks. To get the ball rolling, Brown reached out directly to surviving bandmembers Alex Lifeson and Geddy Lee. Regarding his involvement, Brown confirmed that he "suggested it to Alex and Ged by saying to them, 'Let me do a couple of tunes. If you love it, we can move forward.' As it turned out, they did love it." Brown's goals for his remix were quite pure. "I had to give the guys something they would be excited about," the producer continued, "so I went for a little more detail, different reverbs, and a larger footprint, all while maintaining the integrity of the original record." <br/> <br/>CD3 and CD4 present the first-ever complete setlist of the show Rush performed on September 21, 1984, at Maple Leaf Gardens in Toronto, which was also newly mixed from the original multitrack audio masters and has now been retitled Grace Under Pressure Tour: Live in Toronto 1984. <br/> <br/>The Blu-ray features the above concert on video newly edited & newly remastered in HD with the audio soundtrack offered in 48kHz/24-bit Dolby Atmos, 96kHz/24-bit Dolby TrueHD 5.1, and 96kHz/24-bit PCM stereo options, all newly mixed by Terry Brown. Its previous incarnation as 1986's Grace Under Pressure Tour concert home video and CD was somewhat incomplete, and this new full concert experience features 37 minutes of unreleased performances. <br/> <br/>Also on the Blu-ray, the full 1984 studio album is newly mixed in 48kHz/24-bit Dolby Atmos and 96kHz/24-bit Dolby TrueHD 5.1 by longtime band associate, producer/engineer Richard Chycki, from the original album's multitracks along with the newly remastered 192kHz/24-bit and 96kHz/24-bit PCM stereo. Observed Chycki, "Listening to Grace Under Pressure in Atmos, you can really hear Rush's progress and development as artists, because there's much more room in the 360-degree soundfield to express it. Things that may have just gone by you in stereo now appear in separate speakers without being gimmicky. Instead, they act as micro-features for the Atmos listener to better appreciate the band's intent."<br/> <br/>Additionally, on the Blu-ray, Terry Brown's new album remix is presented in 96kHz/24-bit PCM stereo, along with the band's music videos for "Distant Early Warning," "Afterimage," "The Enemy Within," and "The Body Electric," all of which have been visually remastered in HD and presented in 96kHz/24-bit Dolby TrueHD 5.1 and 48kHz/24-bit PCM stereo. ("The Enemy Within" was the very first music video shown by Canadian TV channel MuchMusic, now known as Fuse, on August 31, 1984.)<br/> <br/>The Super Deluxe Edition of Grace Under Pressure will also include new liner notes penned by Geddy Lee, reflecting on his memories of finding a new producer for the album and reminiscing on a recent re-listen of the album proper. Original album designer Hugh Syme re-imagines the original album cover along with creating brand-new illustrations for each of the album's eight songs and other related visual elements in the book. Exclusive bonus collectibles in the box include a custom acrylic Grace Under Pressure LED light-up display; a replica of the Grace Under Pressure tour book; a replica Maple Leaf Gardens/Toronto show concert ticket; a Grace Under Pressure Tour total access backstage pass; "Pressure Release" a replica of the 6-page press release; three bandmember live photo lithos; and a poster from the Toronto show. All contents are housed in a premium lift-top box.<br/> <br/>The second Grace Under Pressure configuration will be released in is a five-LP plus Blu-ray Super Deluxe Edition, which is the analog equivalent of the four-CD edition. The LPs in the Super Deluxe Edition have been cut at Abbey Road Studios and pressed on 180-gram audiophile black vinyl at GZ Media in the Czech Republic. <br/> <br/>Both the 4LP + Blu-ray and 5LP + Blu-ray Super Deluxe Editions will also be offered at the Rush Backstage online store with 3 exclusive bonus lithos of Hugh Syme's new illustrations.<br/> <br/>The third Grace Under Pressure configuration will be the Super Deluxe Digital Edition, which is the digital equivalent to the physical Super Deluxe Edition audio tracks. <br/> <br/>The fourth configuration, the Dolby Atmos Digital Edition, is the digital equivalent of Richard Chycki's Atmos mix of all eight tracks from the original 1984 album. <br/> <br/>Finally, the fifth configuration is the Grace Under Pressure Tour: Live in Toronto 1984 newly edited, mixed and visually remastered in HD concert video made available to video DSPs.<br/><br/>ABOUT RUSH<br/> <br/>Rush - bassist/keyboardist/vocalist Geddy Lee, guitarist/vocalist Alex Lifeson, and the late, great drummer/lyricist Neil Peart - maintains a large and uniquely passionate worldwide fanbase that acknowledges and respects the band's singular, bold, and perpetually exploratory songcraft that combines sterling musicianship, complex compositions, and distinctive lyrical flair. Rush has sold more than 25 million albums in the U.S. alone, with worldwide sales estimated at 45 million (and counting), and has been awarded 24 Gold, 14 Platinum, and three Multi-Platinum album distinctions. Rush has received seven Grammy nominations, and the band was inducted into the Canadian Music Hall of Fame in 1994 and the Rock and Roll Hall of Fame in 2013.