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Lorentz: Lycka till [Vinyl LP]

Ulf Lundells 15 utsålda konserter på Tyrol i Stockholm är en av de verkligt klassiska konserthändelserna i hans snart 50 åriga karriär. Albumet "Live på Tyrol" släpps nu som dubbelvinyl med utvalda låtar i limiterad upplaga.

Bandet från Sheffield består av Oliver Sykes, Lee Malia, Matthew Kean, Matthew Nicholls och Jordan Fish. "Sempiternal" är producerat av Terry Date (Linkin Park, Deftones, Soundgarden).

Grega Andreas: Mörkerseende [Gatefold / 2 Vinyl LP]

The Highwaymen were a Country music super-group composed of four of the biggest outlaw Country artists: Johnny Cash, Waylon Jennings, Willie Nelson, and Kris Kristofferson. The band was active as a group between 1985 and 1995. Featuring the hit singles "Highwayman" and "Desperados Waiting for a Train' (remake of Guy Clark).* Both the album and the single eventually reached the top spot in the Country music charts.<br/><br/>180 GRAM AUDIOPHILE VINYL<br/>INCLUDES INSERT<br/>FOUR LEGENDARY COUNTRY ARTISTS IN ONE SUPER-GROUP:<br/>WAYLON JENNINGS, WILLIE NELSON, JOHNNY CASH AND<br/>KRIS KRISTOFFERSON<br/>FT. "HIGHWAYMAN" AND "DESPERADOS WAITING FOR A TRAIN"<br/><br/>HIGH QUALITY<br/>INSERT

180 gram audiophile vinyl.<br/>Insert.<br/><br/>Leftovertureis the fourthalbumbyAmericanrockbandKansas, released in 1976. With Steve Walsh taking a back seat on the production of material, Kerry Livgren stepped up and his compositions retained much of the classically inspired complexity of Livgren's previous work. The album begins with the hit single "Carry On Wayward Son". Kerry Livgren wrote the song as a sequel to the final song, "The Pinnacle", from the previous album, Masque.

*The Art of Rebellion* is the sixth studio album by American crossover thrash band Suicidal Tendencies, originally released in 1992. The album maintains its position as the band's most commercially successful studio album to date, including the songs "Nobody Hears" and "I'll Hate You Better".<br/><br/>The songs on *The Art of Rebellion* show the band's continuing experimentation with funk that had begun on this album's predecessor, *Lights...Camera...Revolution!*, as well as more progressive song structures, a somewhat more alternative atmosphere, and even pop-oriented sounds. This helped the band not only outride the explosion of alternative in the early 90s, it also helped them gain a fan base within that community. Nonetheless, the album still stays true to the band's thrash and punk roots on many of the songs.